O fantástico nos contos de Murilo Rubião: um olhar sobre o trinômio texto-leitor-leitura

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dc.contributor.advisorTrevisan, Ana Lúciapt_BR
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/6107851924008207por
dc.contributor.authorBoranelli, Valdemirpt_BR
dc.creator.Latteshttp://lattes.cnpq.br/0670290725295765por
dc.date.accessioned2016-03-15T19:47:32Z
dc.date.accessioned2020-05-28T18:12:05Z
dc.date.available2014-06-06pt_BR
dc.date.available2020-05-28T18:12:05Z
dc.date.issued2013-12-06pt_BR
dc.description.abstractRecent studies have moved beyond Todorov s concepts and define the fantastic as a phenomenon of language. Authors such as Filipe Furtado, Rosalba Campra, Erdal Mary Jordan, share this conceptual framework. They would rather see the fantastic like a narrative mode which generates textual ambiguities rather than a feeling of hesitation. The validity of this is in the construction of the text, that is, its articulation in producing a literary effect of disturbance to the reader. These definitions of the fantastic as a phenomenon of language allow us to understand it not as a genre, but as a way of narrating. Based on this conception, it is understood that the fantastic text of the twentieth century, especially Murilo Rubião s text, here called neo-fantastic, is constructed through linguistic devices, including epistemological metaphor and hyperbole, which create the fantastic effect on the reader, so that they correspond to the vision and description of the gaps in our causal perception of reality, which would be impossible to be described in ordinary language and / or scientific language. Thus the text produced by Murilo Rubião frees the reader to think about what is said, then, it is evident that a change in attitude by the reader, in relation to this literature, is needed. The nineteenth century fantastic as defined by Todorov aimed at an implied reader; on the other hand, the twentieth century fantastic requires the presence of a real reader, in the flesh, to confront his views on the world with the narrative. This way, our focus is on the relation text-reader-reading making up the narrative action, demonstrating the role and the position of the reader before a fantastic literary text, highlighting the text by Murilo Rubião.eng
dc.description.sponsorshipFundo Mackenzie de Pesquisapt_BR
dc.formatapplication/pdfpor
dc.identifier.citationBORANELLI, Valdemir. O fantástico nos contos de Murilo Rubião: um olhar sobre o trinômio texto-leitor-leitura. 2013. 116 f. Tese (Doutorado em Letras) - Universidade Presbiteriana Mackenzie, São Paulo, 2013.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/25110
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.subjectfantásticopor
dc.subjectMurilo Rubiãopor
dc.subjecttextopor
dc.subjectleitorpor
dc.subjectleiturapor
dc.subjectfantasticeng
dc.subjectMurilo Rubiãoeng
dc.subjecttexteng
dc.subjectreadereng
dc.subjectreadingeng
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::LITERATURA BRASILEIRApor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/4577/Valdemir%20Boranelli.pdf.jpg*
dc.titleO fantástico nos contos de Murilo Rubião: um olhar sobre o trinômio texto-leitor-leiturapor
dc.typeTesepor
local.contributor.board1Ferreira, João Cesário Leonelpt_BR
local.contributor.board1Latteshttp://lattes.cnpq.br/0412253064458725por
local.contributor.board2Volobuef, Karinpt_BR
local.contributor.board2Latteshttp://lattes.cnpq.br/4419893059731337por
local.contributor.board3Amaral, Glória Carneiro dopt_BR
local.contributor.board3Latteshttp://lattes.cnpq.br/2120597822999751por
local.contributor.board4Iannace, Ricardopt_BR
local.contributor.board4Latteshttp://lattes.cnpq.br/2452887341291938por
local.publisher.countryBRpor
local.publisher.departmentLetraspor
local.publisher.initialsUPMpor
local.publisher.programLetraspor
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