O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida

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dc.contributor.advisorMello, Regina Lara Silveira
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/0439114372762829por
dc.contributor.authorMoreira, Hugo Daniel Rizolli
dc.creator.Latteshttp://lattes.cnpq.br/0405481558840613por
dc.date.accessioned2020-10-06T16:14:42Z
dc.date.accessioned2020-12-07T15:07:47Z
dc.date.available2020-12-07T15:07:47Z
dc.date.issued2020-01-29
dc.description.abstractThe research investigates the creative processes of Brazilian contemporary artist Wilton Azevedo. These are sketches, drawings, paintings and digital compositions that are part of his vast work, which in this way, go from graphic gestures and pictorial elements to unfolding that are lodged on a computer screen. Relationships of his creative processes and his artistic methods are analyzed, according to researchers Salles and Rey. The artist relies on concepts of gestalt theory, organizes visual elements such as point, light / shadow, color, and texture, in the light of Gomes. Son, Dondis and Arnheim. It is related to the word and the poetic text, studied here in Chartier, which thinks the word and the text as historical elements, besides their signs established in contemporary times. Azevedo's pathways and procedures regarding digital devices are also analyzed, based on Flusser's fundamentals, which establishes connections of human language in the technological sphere, and Santaella, which deals with the relations of art and its signs in digital society. These are possibilities of producing and relating to art in digital contexts, supported by concepts developed by Reas & McWilliams, which deal with the relationships of contemporary devices with the languages of art on the digital platform, referenced here by Wilton Azevedo's artistic production, interpreted in Scriptures. Thus, the creative process of Azevedo is analyzed in its relations with the image, the word and the expanded digital scriptures, consolidated in the language of art and its unfoldings, now forged in the digital platform, associating with new devices coupled in verbal signs. and sonorous, establishing amazing types of digital scriptures. They are poetic links with the work of art, making him an artist of his time, who experienced in all its potentials the connection canvas-ink in the hardware-software association, consolidating Wilton Azevedo as an artist-researcher who expresses the relations between the languages of art and their representations reached by contemporary man.eng
dc.description.sponsorshipCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorpor
dc.formatapplication/pdf*
dc.identifier.citationMOREIRA, Hugo Daniel Rizolli. O processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandida. 2020. 136 f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/26524
dc.keywordscreative processeseng
dc.keywordsdigital arteng
dc.keywordsartistic languageseng
dc.keywordsdigital scriptureseng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectprocessos criativospor
dc.subjectarte digitalpor
dc.subjectlinguagens artísticaspor
dc.subjectescrituras digitaispor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESpor
dc.titleO processo criativo de Wilton Azevedo: diálogos entre a imagem, a palavra e a escritura digital expandidapor
dc.typeDissertaçãopor
local.contributor.board1Davino, Gláucia Eneida
local.contributor.board1Latteshttp://lattes.cnpq.br/9376577557864810por
local.contributor.board2Donati, Luisa Angélica Paraguai
local.contributor.board2Latteshttp://lattes.cnpq.br/6616305768133913por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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