François Truffaut e Arthur Schopenhauer: além do amor e da paixão
Arquivos
Tipo
Tese
Data de publicação
2021-01-28
Periódico
Citações (Scopus)
Autores
Góes, Véra Lúcia de
Orientador
Araujo, Paulo Roberto Monteiro de
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Lopes, Ana Lúcia de Souza
Brito, Emerson Rodrigues de
Oliveira, Lamartine Gaspar de
Cardoso, Rogério da Silva
Brito, Emerson Rodrigues de
Oliveira, Lamartine Gaspar de
Cardoso, Rogério da Silva
Programa
Educação, Arte e História da Cultura
Resumo
François Truffaut was a great film critic, with many works
published in Cahiers du Cinéma, a French magazine launched in
the 1940s and still in operation. After his experience as a critic,
he became a filmmaker, sharing ideas with Jean-Luc Godard
and others, who, in the 60s and 70s, led the French movement
later known as Nouvelle Vague. Truffaut is publicly recognizes
as having a keen interest in romantic relationships. The basic
themes of all his films were love, women and temporality.
Arthur Schopenhauer, 19th century philosopher, author of
Metaphysics of Love – Metaphysics of Death, who expresses the
description of love between the sexes and their consequences.
This thesis shows that Truffaut’s gaze went beyond love and
passion, reaching an almost unhealthy obsession with the speed
of time, and how his films relate to the philosopher’s theory.
Descrição
Palavras-chave
cinema , Nouvelle Vague , amor , Tempo , filosofia
Assuntos Scopus
Citação
GÓES, Véra Lúcia de. François Truffaut e Arthur Schopenhauer: além do amor e da paixão. 2021. 95 f. Tese (Doutorado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2021.