A dramaturgia de Anamaria Nunes: A era do rádio e O tambor e o anjo
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Tipo
Tese
Data de publicação
2020-03-10
Periódico
Citações (Scopus)
Autores
Rocha, Fabrizzi Matos
Orientador
Pereira , Helena Bonito Couto
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Aguiar, Cristhiano Motta
Cardoso, Elizabeth da Penha
Duarte, Marcos Nepomuceno
lannace, Ricardo
Cardoso, Elizabeth da Penha
Duarte, Marcos Nepomuceno
lannace, Ricardo
Programa
Letras
Resumo
This work analyzes two plays by Anamaria Nunes playwright (1950-2016): A era do Rádio - Saudades do Brasil and O Tambor e o Anjo. Based on the theoretical analysis of the drama
according to Jean-Pierre Ryngaert, Lionel Abel's dramatic vision of metatheatre, the concept
of intertextuality according to Kristeva and Samoyault, and the postmodern perspective
conceptualized by Linda Hutcheon, and their respective studies on parody and irony. The
central problem to be investigated in this work is the representation of two moments in the
recent history of Brazil, through two plays. While the first dialogue with the radio, vehicle of
greater reach in the period to which it refers, bringing the scene metalanguage, the second
brings a problematic daily, common to many families. Both reproduce, in their own way, the
Brazilian cultural and socio-political scene in the 1950s and 1970s. Intertextuality, structuring
element of Anamaria Nunes' dramatic narrative, allows us to relate their dramaturgical texts to postmodern aesthetics, thanks to the irony, parody and satire employed with critical distance.
Descrição
Palavras-chave
Anamaria Nunes , O tambor e o anjo , A era do rádio – saudades do Brasil , pós-modernismo , intertextualidade
Assuntos Scopus
Citação
ROCHA, Fabrizzi Matos. A dramaturgia de Anamaria Nunes: A era do rádio e O tambor e o anjo. 2020. 136 f. Tese (Doutorado em Letras) - Universidade Presbiteriana Mackenzie, São Paulo, 2020.