Percursos interrompidos: um olhar sensível para a apropriação do Anhangabaú por meio da arte

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dc.contributor.advisorVillac, Maria Isabel
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/2140594056419912por
dc.contributor.authorLessio, Danielle Alves
dc.creator.Latteshttp://lattes.cnpq.br/0650109963271683por
dc.date.accessioned2019-04-02T18:24:41Z
dc.date.accessioned2020-05-28T18:16:52Z
dc.date.available2020-05-28T18:16:52Z
dc.date.issued2019-02-13
dc.description.abstractThis dissertation presents the possibility of the public space being multiple and capable of hosting appropriations beyond the ones to which it was conditioned, evidencing the relevance of heterogeneous dynamics in the city. Thereby, a reflection is proposed on the various situations present in the Anhangabaú Valley and the potential of artistic interruptions in this space, that resist the ideal of continuous motility of pedestrians and vehicles and an ordered mindset, of being able to introduce sensitive views and questionings for the connections between individuals and public space. It is sought to understand how the defined spatial clipping is part of a kinetic structure in which interruption and non-accelerated rhythm are not desired and, in contrast, how some pause events may incite different body relations and perceptions. By acting as resistance and creating defamiliarization, such actions encourage the reflection of the observer and enable the promotion of new references for architecture and city projects. As case studies, we analyze three events of artistic interruption that occurred in the Valley and that addressed the change in the experience related to walking through this space, these are: Detetor de Ausências, by Rubens Mano (1994), installed on Viaduto do Chá, The Last Word is the Penultimate (A Última Palavra é a Penúltima), by Teatro da Vertigem (2008 and 2014), which took place in the Xavier Toledo underground passage, and the Ponte do Rio Anhangabaú, by the BijaRi collective (2013), which was executed along the Avenue São João axis.eng
dc.description.sponsorshipConselho Nacional de Desenvolvimento Científico e Tecnológicopor
dc.description.sponsorshipFundo Mackenzie de Pesquisapor
dc.formatapplication/pdf*
dc.identifier.citationLESSIO, Danielle Alves. Percursos interrompidos: um olhar sensível para a apropriação do Anhangabaú por meio da arte. 2019. 277 f. Dissertação ( Arquitetura e Urbanismo) - Universidade Presbiteriana Mackenzie, São Paulo .por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/26188
dc.keywordsAnhangabaúeng
dc.keywordspublic spaceeng
dc.keywordsartistic eventeng
dc.keywordsinterruptioneng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectAnhangabaúpor
dc.subjectespaço públicopor
dc.subjectevento artísticopor
dc.subjectinterrupçãopor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESpor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/18353/Danielle%20Alves%20Lessio.pdf.jpg*
dc.titlePercursos interrompidos: um olhar sensível para a apropriação do Anhangabaú por meio da artepor
dc.typeDissertaçãopor
local.contributor.board1Kato, Volia Regina Costa
local.contributor.board1Latteshttp://lattes.cnpq.br/2066794239345437por
local.contributor.board2Dias Filho, Geraldo de Souza
local.contributor.board2Latteshttp://lattes.cnpq.br/9512045174822921por
local.publisher.countryBrasilpor
local.publisher.departmentFaculdade de Arquitetura e Urbanismo (FAU)por
local.publisher.initialsUPMpor
local.publisher.programArquitetura e Urbanismopor
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