Além da retratação do fato: um estudo de campo sobre as narrativas da contemporaneidade
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Tipo
TCC
Data de publicação
2018-07
Periódico
Citações (Scopus)
Autores
Oliveira, Yasmin Patricia de
Orientador
Santos, Carlos Eduardo Sandano
Título da Revista
ISSN da Revista
Título de Volume
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Resumo
As narrativas da contemporaneidade, conceito criado pela jornalista Cremilda Medina, são
aquelas que revelam a polifonia e a polissemia do mundo contemporâneo e vão além da
retratação do fato e das notícias cotidianas. O objetivo deste trabalho foi compreender os
principais elementos e correntes desse tipo de narrativa. Para isso, foi desenvolvida uma
pesquisa de ordem qualitativa, não-estruturada e focalizada, em que três profissionais da área
foram entrevistados e relataram suas experiências criando narrativas complexas. Para
aprofundar a análise, o presente estudo se dividiu em quatro pilares observados a partir das
entrevistas: grande reportagem, storytelling, jornalismo digital e epistemologia do jornalismo.
Além das entrevistas, esta monografia compreendeu outros estudos de caso que ajudaram a
entender as narrativas da contemporaneidade para além do seu aspecto documental, literário
ou estrutural, mas do ponto de vista antropológico, centrado na esfera comunicacional. Ao
final, entende-se a importância de um jornalismo que reforça o espaço para a marca autoral do
repórter frente à possibilidade de opções discursivas de um mundo contemporâneo e
interconectado.
Contemporary narratives, a concept developed by the journalist Cremilda Medina, are those which shows the polyphony and the polysemy of the contemporary world and go beyond the fact and daily news. This paper aims to understand main elements and tendencies of this kind of narratives. A qualitative, unstructured and focalized research was made for that, in which three professionals of the area were interviewed and related their experiences on building complex narratives. In order to deepen the analysis, this study was divided on four sections, noticed on the interviews: long form journalism, storytelling, digital journalism and epistemology of journalism. Apart from the interviews, this paper also includes other case studies which helped to comprehend contemporary narratives beyond their documentary, literary or structural aspect, including an anthropological point of view, centered on the communicational sphere. In the end, we understood the importance of a kind of journalism that reinforces the space for the reporter's authorial mark, facing a possibility of discursive options in a contemporary and interconnected world.
Contemporary narratives, a concept developed by the journalist Cremilda Medina, are those which shows the polyphony and the polysemy of the contemporary world and go beyond the fact and daily news. This paper aims to understand main elements and tendencies of this kind of narratives. A qualitative, unstructured and focalized research was made for that, in which three professionals of the area were interviewed and related their experiences on building complex narratives. In order to deepen the analysis, this study was divided on four sections, noticed on the interviews: long form journalism, storytelling, digital journalism and epistemology of journalism. Apart from the interviews, this paper also includes other case studies which helped to comprehend contemporary narratives beyond their documentary, literary or structural aspect, including an anthropological point of view, centered on the communicational sphere. In the end, we understood the importance of a kind of journalism that reinforces the space for the reporter's authorial mark, facing a possibility of discursive options in a contemporary and interconnected world.
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Palavras-chave
jornalismo , narrativas , contemporaneidade , epistemologia , journalism , narratives , contemporaneity , epistemology