As mulheres no cinema de Pedro Almodóvar Caballero e a reinvenção do melodrama hollywoodiano

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dc.contributor.advisorAraujo, Paulo Roberto Monteiro de
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/9520043604080391por
dc.contributor.authorCanassa, Rosângela Donizete
dc.creator.Latteshttp://lattes.cnpq.br/9062714480183995por
dc.date.accessioned2018-04-04T11:43:14Z
dc.date.accessioned2020-05-28T18:09:55Z
dc.date.available2020-05-28T18:09:55Z
dc.date.issued2018-01-30
dc.description.abstractThe present thesis "Women in the Pedro Almodóvar Caballero’s cinema and the reinvention of Hollywood melodrama" investigates the cinematographic work of the Spanish director and the reinvention of classic Hollywood melodrama as the called woman´s film of Douglas Sirk. The Spanish filmmaker provoked a reconfiguration of the cinematographic genre and with its insights shifts the social role of the woman from its conventional place in the cinema. The research also allows to establish the debate in the field of Psychoanalysis with the formulations of Sigmund Freud, Georges Bataille, Judith Butler, E. Ann Kaplan and Laura Mulvey around the melodramatic personages and their internal conflicts. The melodrama is renewed from its ironic forms and the appropriation of intertextuality, of the dialogue with the own cinema, works of art, literature, music and dance incorporating them to its narratives and imprinting its authorial mark.eng
dc.description.sponsorshipUniversidade Presbiteriana Mackenziepor
dc.formatapplication/pdf*
dc.identifier.citationCANASSA, Rosângela Donizete. As mulheres no cinema de Pedro Almodóvar Caballero e a reinvenção do melodrama hollywoodiano. 2018. [124] f. Tese (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24643
dc.keywordsPedro Almodóvareng
dc.keywordsmelodramaeng
dc.keywordsfemaleeng
dc.keywordsintertextualityeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectPedro Almodóvarpor
dc.subjectmelodramapor
dc.subjectfemininopor
dc.subjectintertextualidadepor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMApor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/15935/Ros%c3%a2ngela%20Donizete%20Canassa.pdf.jpg*
dc.titleAs mulheres no cinema de Pedro Almodóvar Caballero e a reinvenção do melodrama hollywoodianopor
dc.typeTesepor
local.contributor.board1Ramos, Rosangela Patriota
local.contributor.board1Latteshttp://lattes.cnpq.br/8434935867197930por
local.contributor.board2Hidalgo, João Eduardo
local.contributor.board2Latteshttp://lattes.cnpq.br/0891046195041019por
local.contributor.board3Nascimento, José Leonardo do
local.contributor.board3Latteshttp://lattes.cnpq.br/6533679344753214por
local.contributor.board4Davino, Gláucia Eneida
local.contributor.board4Latteshttp://lattes.cnpq.br/9376577557864810por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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