Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo

dc.contributor.advisorRamos, Rosangela Patriota
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/8434935867197930por
dc.contributor.authorCruz, Anna Carolina Cheles
dc.creator.Latteshttp://lattes.cnpq.br/4482819175828979por
dc.date.accessioned2021-12-18T21:38:46Z
dc.date.available2021-12-18T21:38:46Z
dc.date.issued2020-02-17
dc.description.abstractThis research intends to comprehend in which way the Swedish director Roy Anderson's work, specially his Living Trilogy and, in particular, the movie ​A Pigeon Sat On Branch Reflecting on Existence ​ , functions as a political assertion in opposition to the totalitarian movements in Sweden, and all over the world. Therefore, Andersson's biography will be elaborated from the point of view of his relationship with art, cinemaandpolitics,relyingon various researchers for it. Andersson will also be confronted by the referencesinArtHistory and in Philosophy, he used in order to build his own aesthetics, called ​The Language of Complex Image ​ , an aesthetic theory set upon the director's socio-political concerns as aform of resistance to the deterioration of the currentstageof SwedenSocialDemocracy,aprocess that finds its echoes all around the world. Roy Andersson's work will also dialogue with Theodor Adorno, Walter Benjamin, MartinBuberandMariaRitaKhel,whotriedtodiagnose the evils of contemporary society and its relationships with totalitarianism. Finally, we will reflect about the modernist avant-gardes' influences on the director, and also about the challenges faced by Andersson in coming to terms with the affiliations between art, politics and the marketeng
dc.description.sponsorshipCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorpor
dc.formatapplication/pdf*
dc.identifier.citationCRUZ, Anna Carolina Cheles. Um pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneo. 2020. 122 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2020.por
dc.identifier.urihttps://dspace.mackenzie.br/handle/10899/28553
dc.keywordsswedish cinemaeng
dc.keywordsthe language of complex imageeng
dc.keywordssocial democracyeng
dc.keywordsaestheticseng
dc.keywordspoliticseng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subject​cinema suecopor
dc.subjectteoria da Imagem complexapor
dc.subjectsocial-democraciapor
dc.subjectestéticapor
dc.subjectpolíticapor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMApor
dc.titleUm pombo pousou num galho refletindo sobre a existência: interlocuções entre estética e política no contemporâneopor
dc.typeDissertaçãopor
local.contributor.board1Davino, Glaucia Eneida
local.contributor.board1Latteshttp://lattes.cnpq.br/9376577557864810por
local.contributor.board2Ramos, Alcides Freire
local.contributor.board2Latteshttp://lattes.cnpq.br/4887520444879981por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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