Poéticas da montagem visual: entre leituras fotográficas e pictóricas
Carregando...
Tipo
Dissertação
Data de publicação
2018-02-19
Periódico
Citações (Scopus)
Autores
Fontes, Mariana Hossein
Orientador
Rizolli, Marcos
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Andrade, Maria de Fátima Ramos de
Demarchi, Rita de Cassia
Demarchi, Rita de Cassia
Programa
Educação, Arte e História da Cultura
Resumo
Photography is a form of text, which, instead of words, is composed of visual elements, which take different forms and carry different meaningful possibilities. The study is conceived in the sphere of photographic and pictorial languages, in its sensitive and intellectual dimensions. Art and thought are understood as paths that intertwine with the image readings, their dialogues and their instances of production, composition, representation and signification - which are developed through artistic creation, their own languages and their practices, thus approaching the fields of visual poetics as knowledge production. The research’s object is formed by the work of the American photographer Brooke Shaden, through which we seek for connections between photography, its historical establishment in pictorialist and photomontage movements, and painting, specifically in the contributions of cubist, dadaist and surrealist art, with the concept of visual montage as the guiding thread. The knowledge about syntax and semantics of the visual language enables the acquisition of consciousness that is linked to reading and writing with images. In this way, the research travels from imagery thinking to the dialogue between visual codes, from poetics to metalinguistic production, exploring the dual role of researcher-artist. The understanding of contemporary photography as an interdisciplinary language leads us to an understanding of the notions of montage as a procedure and as a philosophy of art. Through the concepts of intersemiosis (in which language is produced) and intersemiotics (in which language is analyzed), the production of a photographic series results as the unfolding of scientific research, as creative, expressive and poetic articulation of possibilities among theoretical modes procedures.
Descrição
Palavras-chave
Brooke Shaden , fotografia , leitura imagética , montagem , poética visual
Assuntos Scopus
Citação
FONTES, Mariana Hossein. Poéticas da montagem visual: entre leituras fotográficas e pictóricas. 2018. [152] f. Dissertação (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.