Do romance ao filme: um olhar sobre crônica da casa assassinada

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dc.contributor.advisorAmaral, Gloria Carneiro do
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/2120597822999751por
dc.contributor.authorAlmeida, Londina da Cunha Pereira de
dc.creator.Latteshttp://lattes.cnpq.br/0183670368179032por
dc.date.accessioned2017-02-04T16:39:45Z
dc.date.accessioned2020-05-28T18:12:13Z
dc.date.available2020-05-28T18:12:13Z
dc.date.issued2016-08-23
dc.description.abstractThe objective of this thesis is to analyze how the narrative instances of point of view and space compete to create the intimate aura of the novel Crônica da casa assassinada (1959), by Lúcio Cardoso. Using the theory of Jean Pouillon, in O tempo no romance (1974), on the point of view, we try to understand the subjective effects drawn from multiple perspectives looking, combined with the intimate writings of the ten characters-narrators of the text. The variety of versions upon the protagonist of the narration helps to make her indecipherable to our eyes, and leads us to suspect of what some narrators say driven by a jumble of feelings. We also found the space to which these characters-narrators are confined, for being isolated and tedious, contributes to the consolidation of their distress and interpersonal conflicts that settle among them. Moreover, this space is seen in a perspective away, so it expresses the personal impression that each of them has of Chácara dos Meneses. To support our analysis of space, we use essentially the study by Osman Lins, in Lima Barreto e o espaço romanesco (1976), Michel Foucault, in “Outros espaços” (2009) and Gaston Bachelard, in Poéticas do Espaço (2008), because they evaluate subjectively the relation character versus space. The last chapter provides a study of the same narrative instances in the adaptation of the novel to cinema, in the production by Paulo Cesar Saraceni, A casa assassinada (1971). In this chapter we use a more sociological approach to the adaptation process, not focusing exclusively on the aesthetic elements of the text. Whereas the adaptation is not only the product, as a process that sees the film as artistic representation as well as socio-cultural, our analyses are supported by the studies of Linda Hutcheon in Uma teoria da adaptação (2011). Despite the broad possibilities of modifications that adaptation offers, the filmmaker chose to keep the main aspects of the text, which led us to assess how sued the narrative focus and space in the filmic texture.eng
dc.description.sponsorshipCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorpor
dc.formatapplication/pdf*
dc.identifier.citationALMEIDA, Londina da Cunha Pereira de. Do romance ao filme: um olhar sobre crônica da casa assassinada. 2016. 228 f. Tese( Letras) - Universidade Presbiteriana Mackenzie, São Paulo.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/25164
dc.keywordsintimate noveleng
dc.keywordsLúcio Cardosoeng
dc.keywordspoint of vieweng
dc.keywordsspaceeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectespaçopor
dc.subjectLúcio Cardosopor
dc.subjectponto de vistapor
dc.subjectromance intimistapor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::LETRASpor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/12888/Londina%20da%20Cunha%20Pereira%20da%20Almeida.pdf.jpg*
dc.titleDo romance ao filme: um olhar sobre crônica da casa assassinadapor
dc.typeTesepor
local.contributor.board1Atik, Maria Luiza Guarnieri
local.contributor.board1Latteshttp://lattes.cnpq.br/6573639208092932por
local.contributor.board2Ferreira, João Cesário Leonel
local.contributor.board2Latteshttp://lattes.cnpq.br/0412253064458725por
local.contributor.board3Barros, Marta Cavalcante de
local.contributor.board3Latteshttp://lattes.cnpq.br/8439924830123545por
local.contributor.board4Baptista, Ana Maria Haddad
local.contributor.board4Latteshttp://lattes.cnpq.br/9067453567671615por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Comunicação e Letras (CCL)por
local.publisher.initialsUPMpor
local.publisher.programLetraspor
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