Analysis of the musical writing of of Claus Ogerman the string orquestra arangment for Desafinado (1967) and its contribution for the Bossa Nova Uma análise da escrita musical para orquestra de cordas no arranjo de Claus Ogerman para Desafinado (1967) e sua contribuição para a Bossa Nova
Tipo
Artigo
Data de publicação
2014
Periódico
Musica Hodie
Citações (Scopus)
0
Autores
Cunha F.R.
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Resumo
The writing for string orchestra by composer Claus Ogerman is the core of this article. It raises raising questions about the movement of Bossa Nova arguing that this movement might not be only considered as a uniquely Brazilian style. During the development of the aesthetic style, occurred processes involving cross-cultural institutions, transnational record companies and non-Brazilian musicians, specifically the orchestrator Claus Ogerman, have to be considered. By analysing his writing for string orchestra, this article intends to identify Ogermans contribution for the construction and consolidation of Bossa Nova Style as a means of expression of Brazilian culture. This analysis will provide a comparative analysis between the musical languages in which Ogerman transitioned, also in regard to influences on the partnership established with Antonio Carlos Jobim. With the specific purpose of identifying the relationships between the languages of classical and popular music, the arrangement of Claus Ogermans song Jobim (Desafinado) will be analysed in detail.