Antes do MP3: estudo sobre as cartas dos leitores da revista Somtrês e o comércio informal de fitas cassete entre 1980 e 1981

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dc.contributor.advisorSchwartz, Rosana Maria Pires Barbato
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/8177502122038987por
dc.contributor.authorVieira, Enio Everton Arlindo
dc.creator.Latteshttp://lattes.cnpq.br/2192908939552475por
dc.date.accessioned2021-02-03T21:12:17Z
dc.date.accessioned2021-02-08T22:01:22Z
dc.date.available2021-02-08T22:01:22Z
dc.date.issued2020-05-29
dc.description.abstractThis paper studies the crisis of the recording industry during the years 1980 and 1981, taking as its starting point the letters from the readers and the articles of the extinct SOMTRÊS magazine. We aim to understand how the popularization of new technologies, such as the cassette tape, changed the relationship of people with music, both the way to market and consume it, and how the specialized media understood the popularization of new technologies that allowed listeners to copy and play music illegally. These new technologies were perceived as the major culprits for the music industry crisis, and the media of the period gave little importance to other factors, such as the rise in oil prices and the political turmoil Brazil was experiencing. We questioned to what extent piracy was, in fact, responsible for the problems of the music industry. We highlight the contradictions in the media speech that at times fostered the ease of copying albums, and at other times blamed the crisis on the new technologies available in the period. We also point out the existence of a whole network of commerce, socialization and symbolic exchanges, tacitly accepted by artists and entrepreneurs of the music business. For this study, we applied a qualitative research of historiographical nature, interpreting the reports of the SOMTRÊS magazine in the light of authors as Renato Ortiz, Paul Friedlander, Fernando Novais, Marcelo Ridenti, John B. Thompson, José Ramos Tinhorão, Walter Benjamin, Peter Burke, and Márcia Tosta Dias, among others.eng
dc.description.sponsorshipCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorpor
dc.formatapplication/pdf*
dc.identifier.citationVIEIRA, Enio Everton Arlindo. Antes do MP3: estudo sobre as cartas dos leitores da revista Somtrês e o comércio informal de fitas cassete entre 1980 e 1981. 2020. 114 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2020 .por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/27886
dc.keywordsmusiceng
dc.keywordsmusic marketeng
dc.keywordscrisiseng
dc.keywordscassette tapeeng
dc.keywordsSomtrês magazineeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectmúsicapor
dc.subjectmercado fonográficopor
dc.subjectpiratariapor
dc.subjectfita cassetepor
dc.subjectrevista Somtrêspor
dc.subject.cnpqCNPQ::CIENCIAS HUMANAS::HISTORIA::HISTORIA DO BRASIL::HISTORIA REGIONAL DO BRASILpor
dc.titleAntes do MP3: estudo sobre as cartas dos leitores da revista Somtrês e o comércio informal de fitas cassete entre 1980 e 1981por
dc.typeDissertaçãopor
local.contributor.board1Paiero, Denise Cristine
local.contributor.board1Latteshttp://lattes.cnpq.br/9127918119064426por
local.contributor.board2Estephan, Sérgio
local.contributor.board2Latteshttp://lattes.cnpq.br/6189128429474443por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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