Ofélia: percurso íntimo de uma imagem idealizada

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dc.contributor.advisorTiburi, Marcia Angelitapt_BR
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/2521082956062846por
dc.contributor.authorRampini, Lúcia Castanho Barrospt_BR
dc.creator.Latteshttp://lattes.cnpq.br/5178452168284214por
dc.date.accessioned2016-04-18T21:15:44Z
dc.date.accessioned2020-03-19T15:20:28Z
dc.date.available2013-12-20pt_BR
dc.date.available2020-03-19T15:20:28Z
dc.date.issued2013-08-22pt_BR
dc.description.abstractThe main core of this thesis is the series of photographs that have reference to the fictional character, Ophelia, originally presented and described by Shakespeare in Hamlet (1603), and later painted by John Everett Millais ("Ophelia", 1851-2). It is an interdisciplinary study, which falls within the area of visual arts and culture. The initial research lays on the relationship between women and death, in the nineteenth century, the survival of the image of Ophelia till the twenty-first century and the indulgences that are imposed on women by patriarchal society. The thesis is divided into six core parts that connect to each other, alternating women's history, representation and artistic creation. To make these connections, we worked on texts that elucidate questions related to female suicide, melancholy, and also the image and its survival time. We also refer to Elizabeth Siddal, the young woman who posed for the Millais painting, and the intricacies between fiction and reality. This study allowed us to make a deep reflection on the condition of women and female artists in a society that has Ophelia as a contemporary metaphor for the modern romantic who struggles with conflicting feelings of mutual misunderstanding, unrequited love, and desperate desire, seeking final release in death. The trajectory of the development of this work led to the creation of series of photographs, drawings and paintings, of which a selected part is here presented.eng
dc.description.sponsorshipFundo Mackenzie de Pesquisapt_BR
dc.formatapplication/pdfpor
dc.identifier.citationRAMPINI, Lúcia Castanho Barros. Ophelia: an intimate journey of an idealized image. 2013. 178 f. Tese (Doutorado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2013.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/22684
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.subjectOféliapor
dc.subjectmulherpor
dc.subjectmortepor
dc.subjectrepresentaçãopor
dc.subjectcriaçãopor
dc.subjectemancipaçãopor
dc.subjectOpheliaeng
dc.subjectwomaneng
dc.subjectdeatheng
dc.subjectrepresentationeng
dc.subjectcreationeng
dc.subjectemancipationeng
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESpor
dc.titleOfélia: percurso íntimo de uma imagem idealizadapor
dc.title.alternativeOphelia: an intimate journey of an idealized imageeng
dc.typeTesepor
local.contributor.board1Rizolli, Marcospt_BR
local.contributor.board1Latteshttp://lattes.cnpq.br/4808339542698874por
local.contributor.board2Martins, Mirian Celeste Ferreira Diaspt_BR
local.contributor.board2Latteshttp://lattes.cnpq.br/7167254305943668por
local.contributor.board3Oliveira, Branca Coutinho dept_BR
local.contributor.board3Latteshttp://lattes.cnpq.br/2662901040904533por
local.contributor.board4Stigger, Verônica Antoninept_BR
local.contributor.board4Latteshttp://lattes.cnpq.br/9316627869924202por
local.publisher.countryBRpor
local.publisher.departmentEducação, Arte e Históriapor
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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