Vampiros e lobisomens: uma análise dos elementos sobrenaturais na saga Crepúsculo, de Stephanie Meyer
Carregando...
Tipo
TCC
Data de publicação
2023-12-07
Periódico
Citações (Scopus)
Autores
Pelissari, Geovana Aparecida
Orientador
Corrêa, Lilian Cristina
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Programa
Resumo
A influência de tradições e mitologia na literatura é uma interação rica e essencial
que enriquece as obras literárias, fornecendo profundidade cultural, simbolismo e
uma base para a expressão artística. Ao longo dos séculos, a literatura tem servido
como um veículo para preservar e transmitir tradições e mitos, desempenhando um
papel crucial na preservação da identidade cultural e na transmissão de valores
fundamentais. O foco dessa análise recai sobre a saga Crepúsculo (2006-2009),
considerando principalmente as marcas deixadas pelo cânone literário,
especialmente pela obra Drácula (1897) e de outros elementos da literatura gótica,
romantismo tardio e literatura vitoriana, literatura fantástica e de fantasia. Para isso,
será feita uma análise sobre os aspectos do romance, considerando
majoritariamente as ideias de Moisés Massaud (1967), Antônio Cândido (2014) e
Edward Foster (2005). Depois, serão analisados os elementos da literatura gótica,
principalmente de acordo com Morgan Howard (2015) e Julio França (2015), da
literatura fantástica, a partir dos conceitos discutidos por Tzevetan Todorov (1975), e
da literatura de fantasia, considerando as colocações feitas por Rosemary Jackson
(1981) e Lucie Armitt (2005). Por fim, a discussão sobre o duplo na literatura
presente nas relações das personagens Edward e Jacob serão pautadas
principalmente nas ideias levantadas por Otto Rank (1914).
The influence of traditions and mythology on literature is a rich and essential interaction that enhances literary works by providing cultural depth, symbolism, and a foundation for artistic expression. Throughout the centuries, literature has served as a vehicle for preserving and transmitting traditions and myths, playing a crucial role in maintaining cultural identity and conveying fundamental values. The focus of this analysis centers on the Twilight saga, considering primarily the marks left by the literary canon, especially by the work Dracula (1897) and other elements of gothic literature, late romanticism, Victorian literature, fantastic and fantasy literature. To achieve this, an analysis will be conducted on the aspects of the novel, primarily considering the ideas of Moisés Massaud (1967), Antônio Cândido (2014), and Edward Foster (2005). Subsequently, the elements of gothic literature will be analyzed, mainly according to Morgan Howard (2015) and Julio França (2015), fantastic literature based on the concepts discussed by Tzevetan Todorov (1975), and fantasy literature, considering the positions presented by Rosemary Jackson (1981) and Lucie Armitt (2005). Finally, the discussion about the doppelgänger in literature present in the relationships of the characters Edward and Jacob will be mainly guided by the ideas raised by Otto Rank (1914).
The influence of traditions and mythology on literature is a rich and essential interaction that enhances literary works by providing cultural depth, symbolism, and a foundation for artistic expression. Throughout the centuries, literature has served as a vehicle for preserving and transmitting traditions and myths, playing a crucial role in maintaining cultural identity and conveying fundamental values. The focus of this analysis centers on the Twilight saga, considering primarily the marks left by the literary canon, especially by the work Dracula (1897) and other elements of gothic literature, late romanticism, Victorian literature, fantastic and fantasy literature. To achieve this, an analysis will be conducted on the aspects of the novel, primarily considering the ideas of Moisés Massaud (1967), Antônio Cândido (2014), and Edward Foster (2005). Subsequently, the elements of gothic literature will be analyzed, mainly according to Morgan Howard (2015) and Julio França (2015), fantastic literature based on the concepts discussed by Tzevetan Todorov (1975), and fantasy literature, considering the positions presented by Rosemary Jackson (1981) and Lucie Armitt (2005). Finally, the discussion about the doppelgänger in literature present in the relationships of the characters Edward and Jacob will be mainly guided by the ideas raised by Otto Rank (1914).
Descrição
Trabalho aprovado com o conceito EXCELENTE.
Palavras-chave
personagem , sobrenatural , literatura fantástica , fantasia , duplo