Inquietações do existente: cinema como filosofia em Lars von Trier

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dc.contributor.advisorAraujo, Paulo Roberto Monteiro de
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/9520043604080391por
dc.contributor.authorLima, Fransmar Barreira Costa
dc.creator.Latteshttp://lattes.cnpq.br/7186073312327002por
dc.date.accessioned2018-05-02T17:39:15Z
dc.date.accessioned2020-05-28T18:09:55Z
dc.date.available2020-05-28T18:09:55Z
dc.date.issued2018-03-09
dc.description.abstractThis essay intends a study of the Danish film-maker's work, Lars von Trier, as a grounding for the "cinema-thougt" that, when incorporated by a reader who assumes the reflexion in the existence, develops significant reviews. We call this reader "inspectador", because he is the initiative of incorporating the "restlessness" of the director and of assuming movie's situations in his subjectivity. The first part of the research analyzes the cinema as philosophy form Lars von Trier ideas, where the "inspectador"'s role is defined, the methodology of indirect communication and the cinema as possibility. This part also discuss the grounding and references that founds the problematic in Lar von Trier's work and how his movies stand out as "cinema-thougt. The second part analyzes the Cinema as philosophy from the "restnessless" of the existent, that is, visits Lars von Trier's production in order to reflect questions that arise in especific moments of his movie: as the Dogma 95 (Idioterne - #2, 1998), and the movies that precinds the correct formulation of the scenario, substituited by a "plan-map", as Dogviller (2003) e Manderlay (2005).eng
dc.description.sponsorshipCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorpor
dc.formatapplication/pdf*
dc.identifier.citationLIMA, Fransmar Barreira Costa. Inquietações do existente: cinema como filosofia em Lars von Trier. 2018. 166 f. Tese (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24646
dc.keywordsexistenceeng
dc.keywordsinspectadoreng
dc.keywordscinema-thougteng
dc.keywordsLars von Triereng
dc.keywordsKierkegaardeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectexistênciapor
dc.subjectinspectadorpor
dc.subjectcinema-pensamentopor
dc.subjectLars von Trierpor
dc.subjectKierkegaardpor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMApor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/16558/FRANSMAR%20BARREIRA%20COSTA%20LIMA.pdf.jpg*
dc.titleInquietações do existente: cinema como filosofia em Lars von Trierpor
dc.typeTesepor
local.contributor.board1Bueno, Marcelo Martins
local.contributor.board1Latteshttp://lattes.cnpq.br/5593879626315474por
local.contributor.board2Ramos, Rosangela Patriota
local.contributor.board2Latteshttp://lattes.cnpq.br/8434935867197930por
local.contributor.board3Zega, Fulvia
local.contributor.board3Latteshttp://lattes.cnpq.br/2819442689841354por
local.contributor.board4Almeida, Jorge Miranda de
local.contributor.board4Latteshttp://lattes.cnpq.br/2956782107785595por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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