Cartas de amor à Divina: uma leitura imagético-verbal sobre a produção oficiosa de Di Cavalcanti

Página do item simplificado
dc.contributor.advisorRizolli, Marcospt_BR
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/4808339542698874por
dc.contributor.authorAlmeida, Sullivan Bernardo dept_BR
dc.creator.Latteshttp://lattes.cnpq.br/0608071372705899por
dc.date.accessioned2016-03-15T19:44:07Z
dc.date.accessioned2020-05-28T18:09:44Z
dc.date.available2013-06-15pt_BR
dc.date.available2020-05-28T18:09:44Z
dc.date.issued2012-12-12pt_BR
dc.description.abstractDi Cavalcanti's official production is the subject of studies in many disciplines, each of which takes its own particular approach. This official production is understood to be all of the verbal-imagery work produced by the artist throughout his career in order to meet the demands of the art market. However, the book Cartas de Amor à Divina, a compendium containing letters, cards, drawings and reproductions of portraits of Ivette Bahia Rocha, the "Divina", is understood as unofficial production. Published in 1987, the book records the fifteen-year loving relationship of Di Cavalcanti and Ivette. The set reveals the drama of an older man, 62 at the time, who cannot control a 23-year-old woman. Ivette met the painter in 1959 on a visit to his studio in Copacabana, Rio de Janeiro, and became an assiduous studio guest, occupying, little by little, all spaces of the artist's life: she was his secretary, financial administrator, muse and wife. The relationship ended in 1974, during the middle of a political and cultural transformation in Brazil. Structured from the concepts that guide the study of History of Culture, this study is dedicated to analyzing the verbal imagery content contained in Di Cavalcanti's epistolary, which was transformed into a book in 1987. The goal is to identify the reasons for which the relationship's dynamic was conflicted and how such subversions interfered or not in the painter s artistic production.eng
dc.description.sponsorshipInstituto Presbiteriano Mackenziept_BR
dc.formatapplication/pdfpor
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24580
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.subjectarte brasileirapor
dc.subjectDi Cavalcanti: vida e obrapor
dc.subjecthistória culturalpor
dc.subjectcultura visualpor
dc.subjectBrazilian arteng
dc.subjectDi Cavalcanti: life and workeng
dc.subjectcultural historyeng
dc.subjectvisual cultureeng
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESpor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/3117/Sullivan%20Bernardo%20de%20Almeida.pdf.jpg*
dc.titleCartas de amor à Divina: uma leitura imagético-verbal sobre a produção oficiosa de Di Cavalcantipor
dc.typeTesepor
local.contributor.board1Tiburi, Marcia Angelitapt_BR
local.contributor.board1Latteshttp://lattes.cnpq.br/2521082956062846por
local.contributor.board2Guerra, Marco Antoniopt_BR
local.contributor.board2Latteshttp://lattes.cnpq.br/7673139702694152por
local.contributor.board3Mattos, Paula de Vincenzo Fidelis Belfortpt_BR
local.contributor.board3Latteshttp://lattes.cnpq.br/4150107747513243por
local.contributor.board4Mello, Regina Lara Silveirapt_BR
local.contributor.board4Latteshttp://lattes.cnpq.br/0439114372762829por
local.publisher.countryBRpor
local.publisher.departmentEducação, Arte e Históriapor
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
Arquivos
Pacote Original
Agora exibindo 1 - 1 de 1
Imagem de Miniatura
Nome:
Sullivan Bernardo de Almeida.pdf
Tamanho:
11.55 MB
Formato:
Adobe Portable Document Format
Descrição:
Baixar
Coleções
Educação, Arte e História da Cultura - Teses - CEFT Higienópolis