A Embrafilme e o regime militar: atuação direta do Estado no setor cinematográfico e seu impacto no mercado e na cultura
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Tipo
TCC
Data de publicação
2019-12
Periódico
Citações (Scopus)
Autores
Cal, Guilherme Camano Rodrigues
Orientador
Pinto, Felipe Chiarello De Souza
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Programa
Resumo
O propósito do presente artigo é analisar a criação e operação da Embrafilme,
empresa estatal voltada à atividade cinematográfica, durante o regime militar. A partir da
compreensão do cinema como bem econômico e cultural que demanda certa proteção por
parte do Estado e do breve relato dos esforços do Estado brasileiro nessa área até a criação da
estatal, será possível compreender a atuação da Embrafilme, seu papel dentro da visão
estratégica do regime militar e seu relacionamento com cineastas, em especial os que
apresentavam-se como opositores à ditadura estabelecida. Com a investigação mais
detalhadas de dados relativos aos investimentos feitos pela Embrafilme entre os anos de 1970
e 1981, bem como dados da bilheteria do cinema nesse período, poderá ser debatido se a
empresa apresentava um perfil de dominação do mercado nacional e se era possível atribuir
alguma alocação de recursos para determinados grupos, ou a exclusão de agentes críticos ao
regime militar dos investimentos feitos.
The purpose of this paper is to analyze the creation and operation of the Embrafilme, a state-owned enterprise that operated in the film business, during the Brazilian military government. By comprehending cinema as an economic and cultural good that demands some form of state protection, and through a quick reporting on the previous efforts of the Brazilian state in this field prior to the creation of the state-owned company, it will be possible to study how Embrafilme worked, it’s strategic role in the broader strategy of the military regime, and it’s relationship with the Brazilian filmmakers, specially those that presented themselves as opposition to the Brazilian dictatorship. Through a more in depth study of the investments made by the company from 1970 to 1981, as well as data from the Brazilian Box-office in the period, it will be possible to observe if the company managed to dominate the Brazilian film-market, as well as if there was a pattern of concentration of investments in particular groups of filmmakers, or if there was a deliberate exclusion of critical filmmakers.
The purpose of this paper is to analyze the creation and operation of the Embrafilme, a state-owned enterprise that operated in the film business, during the Brazilian military government. By comprehending cinema as an economic and cultural good that demands some form of state protection, and through a quick reporting on the previous efforts of the Brazilian state in this field prior to the creation of the state-owned company, it will be possible to study how Embrafilme worked, it’s strategic role in the broader strategy of the military regime, and it’s relationship with the Brazilian filmmakers, specially those that presented themselves as opposition to the Brazilian dictatorship. Through a more in depth study of the investments made by the company from 1970 to 1981, as well as data from the Brazilian Box-office in the period, it will be possible to observe if the company managed to dominate the Brazilian film-market, as well as if there was a pattern of concentration of investments in particular groups of filmmakers, or if there was a deliberate exclusion of critical filmmakers.
Descrição
Palavras-chave
embrafilme , regime militar , direito econômico , economia do cinema , mercado do audiovisual , embrafilme , Brazilian military government , regulatory law , film economics , media market