O cavaquinho na obra de Waldir Azevedo

dc.contributor.advisorContier, Arnaldo Darayapt_BR
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/4480300676683430por
dc.contributor.authorCesar, Ana Claudiapt_BR
dc.creator.Latteshttp://lattes.cnpq.br/7810904302956967por
dc.date.accessioned2016-03-15T19:42:01Z
dc.date.accessioned2020-05-28T18:10:40Z
dc.date.available2011-06-29pt_BR
dc.date.available2020-05-28T18:10:40Z
dc.date.issued2011-02-07pt_BR
dc.description.abstractThis work intend to describe the way that the musical instrument named cavaquinho took as fundamental piece at the formation of the choro as a musical gender. Besides, this research shows how the composer Waldir Azevedo transformed the old way of the cavaquinho, an instrument used to accompany to an instrument that could be (played) solo. Initially an approach was done about the history of the choro and a bibliographic research about Waldir Azevedo. Four pieces of this author were selected for this work and also an attentive musical analysis of his interpretations playing the cavaquinho was done. Through this, it was possible to realize the specific methodology used by him to play and to build his workseng
dc.description.sponsorshipFundo Mackenzie de Pesquisapt_BR
dc.formatapplication/pdfpor
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24698
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.subjectmúsica urbanapor
dc.subjectchoropor
dc.subjectcavaquinhopor
dc.subjectWaldir Azevedopor
dc.subjecturban musiceng
dc.subjectchoroeng
dc.subjectcavaquinhoeng
dc.subjectWaldir Azevedoeng
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICApor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/3975/Ana%20Claudia%20Cesar.pdf.jpg*
dc.titleO cavaquinho na obra de Waldir Azevedopor
dc.typeDissertaçãopor
local.publisher.countryBRpor
local.publisher.departmentEducação, Arte e Históriapor
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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