Proibida a entrada de pessoas não autorizadas: um estudo sobre as guerrilhas artísticas urbanas

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dc.contributor.advisorRizolli, Marcos
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/4808339542698874por
dc.contributor.authorCerullo, Adriano Ribeiro
dc.creator.Latteshttp://lattes.cnpq.br/8170299179529243por
dc.date.accessioned2016-11-28T12:18:18Z
dc.date.accessioned2020-05-28T18:11:22Z
dc.date.available2020-05-28T18:11:22Z
dc.date.issued2016-02-15
dc.description.abstractThis research seeks to nominate an artistic and cultural phenomenon present in contemporary history. Its evidences are perceived through academic papers, visual demonstrations, photographic registries, testimonials from artists and above all, as a result of the profound transformations in the contemporary art scene, resulting from the post-war environment. The "Guerrilla Art" denomination arises in the 1960s, parallel to the flourishing of the counterculture movement - but it is not presented, however, as a settled definition to a general tendency or an artistic movement. It trespasses the system, sneaking out of dogmas and bibliographical manifestos – as well as the guerrilla warriors violate the enemy territory, weakening their oppressive structures from the inside out. First of all, the work aspirations are the following: the identification of the artistic guerrilla concepts; the dialogue between the related authors; and the comprehension of the constitutive elements - the art, the city and the contemporaneity. Secondly, the investigation seeks to identify a historical/contextual vector to guide through a chronological evolution, emphasising on the study of the cultural operators from the 1960s; from this point, the events, characters and episodes are explored, under the purpose of revealing a trend track. Finally, on the third step, based on this stored conceptual repertoire, the researcher indicates samples of contemporary artists’ works, considered revolutionary ones, and he analyses them for identifying a possible artistic guerrilla methodology. Thus, on the behalf of this knowledge, the work intends to demonstrate the existence of a creative-reactive artistic behaviour.eng
dc.description.sponsorshipCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorpor
dc.formatapplication/pdf*
dc.identifier.citationCERULLO, Adriano Ribeiro. Proibida a entrada de pessoas não autorizadas: um estudo sobre as guerrilhas artísticas urbanas. 2016. 289 f. Dissertação( Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24961
dc.keywordsguerrillaeng
dc.keywordsstreet arteng
dc.keywordsinterventioneng
dc.keywordssubversioneng
dc.keywordsountercultureeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectguerrilhapor
dc.subjectarte urbanapor
dc.subjectintervençãopor
dc.subjectsubversãopor
dc.subjectcontraculturapor
dc.subject.cnpqCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOpor
dc.subject.cnpqCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::RELACOES PUBLICAS E PROPAGANDApor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/11886/Adriano%20Ribeiro%20Cerullo.pdf.jpg*
dc.titleProibida a entrada de pessoas não autorizadas: um estudo sobre as guerrilhas artísticas urbanaspor
dc.typeDissertaçãopor
local.contributor.board1Azevedo, Wilton Luiz de
local.contributor.board1Latteshttp://lattes.cnpq.br/1812469494223175por
local.contributor.board2Entler, Ronaldo
local.contributor.board2Latteshttp://lattes.cnpq.br/7642923574764965por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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