A experiência do corpo-texto : um aceno à construção da cena no corpo e à reinvenção do corpo em cena

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dc.contributor.advisorMendes, Marcel
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/6182477842336805por
dc.contributor.authorBellicieri, Fernanda Nardy
dc.creator.Latteshttp://lattes.cnpq.br/3369227612290273por
dc.date.accessioned2017-02-24T16:04:59Z
dc.date.accessioned2020-05-28T18:09:52Z
dc.date.available2020-05-28T18:09:52Z
dc.date.issued2016-08-12
dc.description.abstractThe thesis aims to describe an authorial transcription methodology which I call "bodytext" (verb in its emetic quality) to a "text-body" or scene, re-calculated, rescued and resulting from this organic-performative verb, a phenomenon residue; being both concepts, “body-text” and “text-body" anchored in Merleau Ponty's existentialism. A scenic process "derived from" and "deriving in" an individual perception in its contextual space-time, being all (individual, space, time and process) structurally algorithmic-dependents; so metaphorically, in considering the scene transcription emphasizing analogical language; as syntactically, in case of scene expansion by digital language, appoaching it (the scene) to a performative concept, subjectivized, responsive to current time. In its essentially theoretical-practical feature, by authorial works analysis, the thesis outlines some possible relationships between parameters stabilished like important variables concerning scenic transcription process (Stage type, Authorship, Time exposure to character and Narrative decating in codes and dramatic units). Variables of a process in which a performative verb, or an authorinterpreter current intention language residue reaches the scene, aestheticised (as part crystallized) and mythical (as inevitably ephemeral) and expanded beyond verbal language. At the end of the thesis a File Theatre performance will be proposed: a scene or ambience that algorithmically embodies its intentionality in real time by using generative software fed with contextual files, destituted from their hierarchical language function, since expanded as digital files.eng
dc.formatapplication/pdf*
dc.identifier.citationBellicieri, Fernanda Nardy. A experiência do corpo-texto : um aceno à construção da cena no corpo e à reinvenção do corpo em cena. 2016. 349 f. Tese( Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24626
dc.keywordstexteng
dc.keywordsbodyeng
dc.keywordsperformanceeng
dc.keywordsphenomenaeng
dc.keywordssceneeng
dc.keywordsfile theatreeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjecttextopor
dc.subjectcorpopor
dc.subjectperformancepor
dc.subjectfenômenopor
dc.subjectcenapor
dc.subjectteatro de arquivopor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESpor
dc.subject.cnpqCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOpor
dc.subject.cnpqCNPQ::CIENCIAS DA SAUDE::EDUCACAO FISICApor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/13131/Fernanda%20Nardy%20Bellicieri.pdf.jpg*
dc.titleA experiência do corpo-texto : um aceno à construção da cena no corpo e à reinvenção do corpo em cenapor
dc.typeTesepor
local.contributor.board1Davino, Gláucia Eneida
local.contributor.board1Latteshttp://lattes.cnpq.br/9376577557864810por
local.contributor.board2Salinas, Fernando de Jesus Giraldo
local.contributor.board2Latteshttp://lattes.cnpq.br/0900063687554069por
local.contributor.board3Pilan, Hania Cecília
local.contributor.board3Latteshttp://lattes.cnpq.br/8445822654396019por
local.contributor.board4Oliveira, Pelópidas Cypriano de
local.contributor.board4Latteshttp://lattes.cnpq.br/4565474797645551por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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