Mamulengo e brincantes: diversão, arte e cultura

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dc.contributor.advisorAmbrogi, Ingrid Hötte
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/6330995631263989por
dc.contributor.authorSchneider, Cynthia Campelo
dc.creator.Latteshttp://lattes.cnpq.br/2850457496987697por
dc.date.accessioned2020-11-05T14:12:48Z
dc.date.accessioned2020-12-07T15:09:49Z
dc.date.available2020-12-07T15:09:49Z
dc.date.issued2020-08-31
dc.description.abstractThe research looked into the mamulengo fun and some of its participants in the State of Pernambuco, taking into consideration the creativity, the dialogues between reality and artistic production, enhancing musical art as the main objective of study. To complete this study a bibliographic revision was made visiting the cities of Atlanta, GA, USA, Recife, Lagoa de Itaenga, Glória do Goitá, as well as interviews with masters of mamulengo and the transcription of guidelines of songs created for fun translating the soul of the puppet. .Authors like Luís da Câmara Cascudo, Néstor Garcia Canclini, Michel de Certeau Certeau, Aaron Copland and Cecília Almeida Salles endorsed the thoughts of the research its main object being to investigate how the masters and mamulengueiros create or even recreate the musical participation in this fun. For some, the word mamulengo refers to suttle or soft hands, that is the necessary ability to give live moments to the puppets. Built with mulungu wood, the puppets "come alive" at the moment of the performances, for people of all ages. It is an art that requires from its performer different abilities highlighting improvisation, so that there is no repeated fun even if the same puppets are used. With joyous songs and much good humour, the master of the fun needs much expertise to develop conversations, conduct the fun from inside a tent and sing loudly the old fashion songs as old as the fun itself. In the universe of myths and legends the spot where the fun takes place is called São Saruê, a land that allows for all variety of magic and feelings. Between conflicts and conquests the mamulengo fun follows its course surviving the most varied scourges, launching new performers and the music as one of its main components, because " it is the music that beckons the spirits of the puppets" and makes them come alive.eng
dc.description.sponsorshipInstituto Presbiteriano Mackenziepor
dc.formatapplication/pdf*
dc.identifier.citationSCHNEIDER, Cynthia Campelo. Mamulengo e brincantes: diversão, arte e cultura. 2020. 237 f. Tese (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/26622
dc.keywordsmamulengoeng
dc.keywordspuppeteng
dc.keywordsparticipantseng
dc.keywordsmusic and funeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectmamulengopor
dc.subjectbonecopor
dc.subjectmúsicapor
dc.subjectbrincante e brincadeirapor
dc.subject.cnpqCNPQ::CIENCIAS HUMANAS::EDUCACAOpor
dc.titleMamulengo e brincantes: diversão, arte e culturapor
dc.typeTesepor
local.contributor.board1Schwartz, Rosana Maria Pires Barbato
local.contributor.board1Latteshttp://lattes.cnpq.br/8177502122038987por
local.contributor.board2Gobbi, Marcia Aparecida
local.contributor.board2Latteshttp://lattes.cnpq.br/7741789991636762por
local.contributor.board3Silva, Paulo Fraga da
local.contributor.board3Latteshttp://lattes.cnpq.br/5107989573840442por
local.contributor.board4Souza, João Ricardo de
local.contributor.board4Latteshttp://lattes.cnpq.br/4392417870249457por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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