Da ribalta à coxia no Facebook: a construção dos perfis na rede

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dc.contributor.advisorDavino, Gláucia Eneida
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/9376577557864810por
dc.contributor.authorFarias, Daniel Oliveira Kozlowski de
dc.creator.Latteshttp://lattes.cnpq.br/7398829156910374por
dc.date.accessioned2019-09-11T18:24:21Z
dc.date.accessioned2020-05-28T18:11:39Z
dc.date.available2020-05-28T18:11:39Z
dc.date.issued2019-08-16
dc.description.abstractBeyond professional communications, social medias offer an environment conducive to contemporary interaction and sociability, becoming a considerable participant in the changing paradigms of social interactions and bringing into existence a virtual world where there are no more geographical boundaries. To become a participant in this new social context, the user constructs a virtual version of self, a self-representation, or simply called a profile. This study was to analyze the process of the construction of a profile on Facebook, trying to identify and approximate, in this process, elements the similarities with the construction of theatrical characters. This facebook self- representation is an expression of the "self" that the user wants to reveal to his peers in the context of a particular social group, not necessarily a faithful copy of his real- world "self". Starting from the point of view that of theater as one of the forms of imitation, through representation, of human social realities and that their characters also reflect the behavior of the person. Using Erving Goffman's thinking on social interactions as theatrical representations, analyzes were carried out on the construction of the profile of the singer Ludmilla on Facebook and observed the social interactions.eng
dc.description.sponsorshipInstituto Presbiteriano Mackenziepor
dc.formatapplication/pdf*
dc.identifier.citationFARIAS, Daniel Oliveira Kozlowski de. Da ribalta à coxia no Facebook: a construção dos perfis na rede. 2019. 107 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2019.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/25077
dc.keywordssocial mediaeng
dc.keywordsFacebookeng
dc.keywordscharacter constructioneng
dc.keywordssocial interactioneng
dc.keywordsself- representationeng
dc.keywordssinger Ludmillaeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectredes sociaispor
dc.subjectFacebookpor
dc.subjectconstrução da personagempor
dc.subjectinteração socialpor
dc.subjectautorrepresentaçãopor
dc.subjectcantora Ludmillapor
dc.subject.cnpqCNPQ::CIENCIAS HUMANAS::PSICOLOGIA::PSICOLOGIA SOCIAL::PAPEIS E ESTRUTURAS SOCIAIS INDIVIDUOpor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/19373/Daniel%20Oliveira%20Kozlowski%20de%20Farias.pdf.jpg*
dc.titleDa ribalta à coxia no Facebook: a construção dos perfis na redepor
dc.typeDissertaçãopor
local.contributor.board1Ramos, Rosangela Patriota
local.contributor.board1Latteshttp://lattes.cnpq.br/8434935867197930por
local.contributor.board2Fernandes, Marcelo Eloy
local.contributor.board2Latteshttp://lattes.cnpq.br/3629961601254448por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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