Do broadcasting ao streaming: variações audiovisuais do concerto sinfônico

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dc.contributor.advisorAlmeida, Jane Mary Pereira de
dc.contributor.advisor-co1Martins, Mirian Celeste Ferreira Dias
dc.contributor.advisor-co1Latteshttp://lattes.cnpq.br/7167254305943668por
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/8328548533414301por
dc.contributor.authorOliveira, Leandro Vasconcellos de
dc.creator.Latteshttp://lattes.cnpq.br/7628070221568015por
dc.date.accessioned2020-02-13T14:41:59Z
dc.date.accessioned2020-05-28T18:09:59Z
dc.date.available2020-05-28T18:09:59Z
dc.date.issued2019-08-14
dc.description.abstractThe aim of this thesis is to investigate the live telecasting of symphonic concerts in its history, grammar and aesthetics. The methodology is organized in three distinct and consequent axes: bibliographical survey and historical study of the broadcastings from its origins to the present day; a case study of one of these performances, in its qualitative and quantitative aspects; an alternative proposal for the audiovisual solutions to an event of this kind, based on the technical parameters in the former case study analysis. As a result, the thesis updates the theoretical apparatus of reference on the subject; inaugurates the studies of the field in Portuguese language; critically analyzes the methodology of Berlin Philharmonic's Digital Concert Hall app, evaluating its aesthetic effectiveness, as well as the experimental and technical feasibility of some alternatives to iteng
dc.description.sponsorshipInstituto Presbiteriano Mackenziepor
dc.formatapplication/pdf*
dc.identifier.citationOLIVEIRA, Leandro Vasconcellos de. Do broadcasting ao streaming: variações audiovisuais do concerto sinfônico. 2019. 185 f. Tese (Doutorado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2019.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24671
dc.keywordsclassical musiceng
dc.keywordsaudiovisual broadcastingeng
dc.keywordsdigital artseng
dc.keywordsdigital performanceeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectmúsica clássicapor
dc.subjecttransmissão audiovisualpor
dc.subjectartes digitaispor
dc.subjectperformance digitalpor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::MUSICApor
dc.titleDo broadcasting ao streaming: variações audiovisuais do concerto sinfônicopor
dc.typeTesepor
local.contributor.board1Thomaz, Daniel de
local.contributor.board1Latteshttp://lattes.cnpq.br/1747871460420391por
local.contributor.board2Cohen, Greg David
local.contributor.board3Souza, Eunézio Antônio de
local.contributor.board3Latteshttp://lattes.cnpq.br/9756214150140645por
local.contributor.board4Vicente, Eduardo
local.contributor.board4Latteshttp://lattes.cnpq.br/2196600075554202por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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