Nem tudo que acaba tem final (o relato do emocore no Brasil)
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Arquivos
Tipo
TCC
Data de publicação
2019
Periódico
Citações (Scopus)
Autores
Lopes, Igor Néder
Orientador
Fonseca, Rafael
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Programa
Resumo
Como base de estudo a formação de identidade e cultura do jovem, este
trabalho buscou questões e razões nas quais o comportamento adolescente na década
dos anos 2000 chamou a atenção por sua irreverência e peculiaridade, ligadas a um
estilo musical que chegava ao Brasil: o emocore. Com potencial de angariar pessoas
de ambos os sexos e idades, o gênero ganhou seu espaço e, a partir disso, amparado
em pesquisas mais aprofundadas sobre a construção das identidades e a importância
que a cultura influi nesse processo, foi desenvolvido o documentário ‘Nem Tudo Que
Acaba Tem Final’, uma narrativa que mostra o sinuoso caminho que a cena emo trilhou
no mundo do rock, se estabelecendo como uma vertente controversa que teve
múltiplas características marcantes.
O filme tem a presença de personagens emblemáticos da cena emocore no
Brasil, como Lucas Silveira (Fresno), Koala (Hateen) e Nenê Altro (Dance of Days),
além de outros envolvidos na temática abordada que contribuem para um conteúdo
simples e transparente, assim como os pontos de vista em relação à deturpação do
real significado do Emo, características sonoras, entre outros.
É uma proposta pensada para aqueles que nunca ouviram falar do Emo, para
aqueles que sabem – ou acham que sabem – o que foi e, acima de tudo, um presente
para os saudosistas que viveram a cena de perto e cultivam boas lembranças desse
movimento que marcou uma geração.
As a basis of study the formation of identity and culture of the young, this work looked for questions and reasons in which the adolescent behavior in the decade of years 2000 attracted the attention for its irreverence and peculiarity, linked to a musical style that arrived at Brazil: emocore. With the potential to attract people of both sexes and ages, the genre gained its space and, based on this, supported by more in-depth research on the construction of identities and the importance that culture influences in this process, the documentary ‘Not All That Ends Has Final', a narrative that shows the winding path that the emo scene has tread in the rock world, establishing itself as a controversial strand that had multiple outstanding characteristics. The film has the presence of emblematic characters from the emocore scene in Brazil, such as Lucas Silveira (Fresno), Koala (Hateen) and Nenê Altro (Dance of Days), as well as others involved in the subject matter that contribute to a simple and transparent content, as well as the points of view regarding the misrepresentation of the real meaning of Emo, sound characteristics, among others. It is a proposal thought for those who have never heard of Emo, for those who know - or think they know - what was and, above all, a gift for the nostalgic who lived the scene up close and cultivate good memories of this movement that marked a generation.
As a basis of study the formation of identity and culture of the young, this work looked for questions and reasons in which the adolescent behavior in the decade of years 2000 attracted the attention for its irreverence and peculiarity, linked to a musical style that arrived at Brazil: emocore. With the potential to attract people of both sexes and ages, the genre gained its space and, based on this, supported by more in-depth research on the construction of identities and the importance that culture influences in this process, the documentary ‘Not All That Ends Has Final', a narrative that shows the winding path that the emo scene has tread in the rock world, establishing itself as a controversial strand that had multiple outstanding characteristics. The film has the presence of emblematic characters from the emocore scene in Brazil, such as Lucas Silveira (Fresno), Koala (Hateen) and Nenê Altro (Dance of Days), as well as others involved in the subject matter that contribute to a simple and transparent content, as well as the points of view regarding the misrepresentation of the real meaning of Emo, sound characteristics, among others. It is a proposal thought for those who have never heard of Emo, for those who know - or think they know - what was and, above all, a gift for the nostalgic who lived the scene up close and cultivate good memories of this movement that marked a generation.
Descrição
Acesso online;
https://www.youtube.com/watch?v=0zQidjL0Els&feature=youtu.be
Palavras-chave
identidade , cultura , emocore , emo , rock , identity , culture , emocore , emo , rock