Uma maioria (in)visível: encontrando o negro no cinema de grande bilheteria nacional
dc.contributor.advisor | Schwartz, Rosana Maria Pires Barbato | |
dc.contributor.advisor1Lattes | http://lattes.cnpq.br/8177502122038987 | por |
dc.contributor.author | Santos, Thiago Almeida dos | |
dc.creator.Lattes | http://lattes.cnpq.br/0371090264889133 | por |
dc.date.accessioned | 2020-12-18T14:20:05Z | |
dc.date.accessioned | 2021-02-08T22:01:22Z | |
dc.date.available | 2021-02-08T22:01:22Z | |
dc.date.issued | 2020-09-17 | |
dc.description.abstract | Brazil’s population in the 21st century is made up of more than 54% of black and brown people, according to the 2016 census. Black people make up the majority. This census shows the number of black and brown people are bigger than white and indigenous people since 2010. However, the asymmetries of races/ethnicities composed of social, political and abstention inequalities have remained since the colonizing process. In this way, this research intends to problematize, by means of audiovisual cinematography, how the image of black population in Brazilian society is constructed, verifying roots and the ways of maintaining these asymmetries. To do so, we selected the qualitative methodology intertwined with the quantitative and theoretical bases that run through the theories of Frantz Fanon (2008), Florestan Fernandes (1972) and Silvio de Almeida (2018) and those of Neuza Santos Souza (1983), Noel dos Santos Carvalho (2013), Peter Burke (2017), João Carlos Rodrigues (2008), Kabengele Munanga (1999), Elisa Larkin Nascimento (2003) and Abdias do Nascimento (2004). Authors that contributed to understand the reasons behind black actor's invisibility and visibility granted to live only one of the 28 stereotypes linked to the black actor within the highest box office Brazilian films from 2008 to 2019 analyzed. | eng |
dc.description.sponsorship | Instituto Presbiteriano Mackenzie | por |
dc.format | application/pdf | * |
dc.identifier.citation | SANTOS, Thiago Almeida dos. Uma maioria (in)visível: encontrando o negro no cinema de grande bilheteria nacional. 2020. 91 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2020. | por |
dc.identifier.uri | http://dspace.mackenzie.br/handle/10899/27885 | |
dc.keywords | audio-visual | eng |
dc.keywords | race asymmetries | eng |
dc.keywords | black cinema | eng |
dc.keywords | image | eng |
dc.language | por | por |
dc.publisher | Universidade Presbiteriana Mackenzie | por |
dc.rights | Acesso Aberto | por |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.subject | audiovisual | por |
dc.subject | assimetrias de raça | por |
dc.subject | cinema negro | por |
dc.subject | imagem | por |
dc.subject.cnpq | CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA | por |
dc.title | Uma maioria (in)visível: encontrando o negro no cinema de grande bilheteria nacional | por |
dc.type | Dissertação | por |
local.contributor.board1 | Ramos, Rosângela Patriota | |
local.contributor.board1Lattes | http://lattes.cnpq.br/8434935867197930 | por |
local.contributor.board2 | Persichetti, Simonetta | |
local.contributor.board2Lattes | http://lattes.cnpq.br/3039090794240525 | por |
local.publisher.country | Brasil | por |
local.publisher.department | Centro de Educação, Filosofia e Teologia (CEFT) | por |
local.publisher.initials | UPM | por |
local.publisher.program | Educação, Arte e História da Cultura | por |
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