Uma maioria (in)visível: encontrando o negro no cinema de grande bilheteria nacional

dc.contributor.advisorSchwartz, Rosana Maria Pires Barbato
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/8177502122038987por
dc.contributor.authorSantos, Thiago Almeida dos
dc.creator.Latteshttp://lattes.cnpq.br/0371090264889133por
dc.date.accessioned2020-12-18T14:20:05Z
dc.date.accessioned2021-02-08T22:01:22Z
dc.date.available2021-02-08T22:01:22Z
dc.date.issued2020-09-17
dc.description.abstractBrazil’s population in the 21st century is made up of more than 54% of black and brown people, according to the 2016 census. Black people make up the majority. This census shows the number of black and brown people are bigger than white and indigenous people since 2010. However, the asymmetries of races/ethnicities composed of social, political and abstention inequalities have remained since the colonizing process. In this way, this research intends to problematize, by means of audiovisual cinematography, how the image of black population in Brazilian society is constructed, verifying roots and the ways of maintaining these asymmetries. To do so, we selected the qualitative methodology intertwined with the quantitative and theoretical bases that run through the theories of Frantz Fanon (2008), Florestan Fernandes (1972) and Silvio de Almeida (2018) and those of Neuza Santos Souza (1983), Noel dos Santos Carvalho (2013), Peter Burke (2017), João Carlos Rodrigues (2008), Kabengele Munanga (1999), Elisa Larkin Nascimento (2003) and Abdias do Nascimento (2004). Authors that contributed to understand the reasons behind black actor's invisibility and visibility granted to live only one of the 28 stereotypes linked to the black actor within the highest box office Brazilian films from 2008 to 2019 analyzed.eng
dc.description.sponsorshipInstituto Presbiteriano Mackenziepor
dc.formatapplication/pdf*
dc.identifier.citationSANTOS, Thiago Almeida dos. Uma maioria (in)visível: encontrando o negro no cinema de grande bilheteria nacional. 2020. 91 f. Dissertação (Mestrado em Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo, 2020.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/27885
dc.keywordsaudio-visualeng
dc.keywordsrace asymmetrieseng
dc.keywordsblack cinemaeng
dc.keywordsimageeng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectaudiovisualpor
dc.subjectassimetrias de raçapor
dc.subjectcinema negropor
dc.subjectimagempor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::CINEMApor
dc.titleUma maioria (in)visível: encontrando o negro no cinema de grande bilheteria nacionalpor
dc.typeDissertaçãopor
local.contributor.board1Ramos, Rosângela Patriota
local.contributor.board1Latteshttp://lattes.cnpq.br/8434935867197930por
local.contributor.board2Persichetti, Simonetta
local.contributor.board2Latteshttp://lattes.cnpq.br/3039090794240525por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
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