Praça cultural - um estudo sobre os percursos através da psicogeografia e da biofilia
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Tipo
TCC
Data de publicação
2024-12-05
Periódico
Citações (Scopus)
Autores
Byun, Erik Jun Ho
Orientador
Martins, Alexandre Augusto
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Resumo
A arquitetura moderna historicamente atenta-se a planejar o espaço de modo a garantir eficiência e dinamicidade ao desordenamento caótico proveniente dos acelerados processos de urbanização dos grandes centros de produção. O suíço Le Corbusier, por exemplo, é uma figura central na arquitetura por seus planejamentos na organização do espaço urbano e em suas teorizações acerca da relação sujeito-espaço através da experiência cotidiana. Neste sentido, a coesão funcional e estética ganham corpo e espírito através da execução de obras baseadas em princípios como os vinculados ao arquiteto acima elencado, que precisamente abstraem as casas dos trabalhadores das cidades em "máquinas de morar", por exemplo. O primeiro capítulo explora a Promenade Architecturale de Le Corbusier e teorias dos Situacionistas, ressaltando a necessidade de se observar o caráter criativo na relação entre agentes e ambiências e de planejar espaços elásticos e capazes de se reformularem a partir de seu uso cotidiano. A partir de uma leitura engajada das obras de Corbusier, o presente Trabalho de Conclusão de Curso propõe repensar a relação entre sujeito e ambiência no uso cotidiano dos espaços, culminando na criação de um parque cultural multifacetado com foco no uso ativo dos ambientes e no bem-estar dos sujeitos, baseado na relação que se estabelece entre os humanos e o meio natural do espaço vivido. A formulação deste parque propõe a criação de ambientes elásticos e que incentivem o uso ativo/a remodelação contínua de suas estruturas pelos sujeitos que constroem o espaço e, conjuntamente, a inserção destes ambientes dentro de um ecossistema heterogêneo de agentes do meio natural. O projeto consiste em quatro edificações dedicadas a expressões culturais diversas e é embasado em quatro capítulos. O segundo capítulo aborda a biofilia e sua integração na arquitetura, destacando a centralidade da integração de elementos naturais ao planejamento de espaços coletivos, a fim de proporcionar bem-estar aos sujeitos e proporcionar vida aos espaços cotidianos. O terceiro capítulo traz estudos empíricos de parques de São Paulo para a incorporação de elementos existentes no projeto, analisando os percursos de caminhada, as relações do espaço com a luz, os efeitos sensoriais e a importância do planejamento biofílico nestes espaços. O quarto capítulo detalha a proposta do parque, enfatizando um espaço que transcende funções tradicionais, convidando à vivência ativa e à criatividade e promovendo ambientes urbanos mais inclusivos e ativamente participativos. Através disso, buscou-se refletir sobre a importância de pensar a criação de ambientes de bem-estar em conjunto com o planejamento de ambientes de criação ativa, proporcionando um respiro sensorial, criativo e temporal do ritmo acelerado das cidades modernas.
Modern architecture has historically focused on designing spaces to ensure efficiency and dynamism, addressing the chaotic disorder resulting from the accelerated urbanization of major production centers. The Swiss architect Le Corbusier, for instance, stands as a central figure in architecture for his contributions to urban spatial organization and his theories on the relationship between individuals and space through everyday experiences. In this context, functional and aesthetic cohesion is brought to life through the execution of projects based on principles such as those championed by Le Corbusier, which precisely conceptualize workers' homes in cities as "machines for living," for example. The first chapter explores Le Corbusier's Promenade Architecturale and Situationist theories, emphasizing the importance of recognizing the creative nature of the relationship between agents and environments and of designing adaptable spaces capable of evolving through everyday use. From an engaged reading of Le Corbusier's works, this Final Graduation Project aims to rethink the relationship between individuals and the environment in the everyday use of spaces, culminating in the creation of a multifaceted cultural park. This park focuses on the active use of its environments and the well-being of individuals, rooted in the relationship established between humans and the natural elements of the lived space. The formulation of this park proposes the creation of adaptable environments that encourage active use and the continuous reshaping of their structures by the individuals who create the space. Concurrently, it incorporates these environments into a heterogeneous ecosystem of natural agents. The project consists of four buildings dedicated to diverse cultural expressions and is structured around four chapters. The second chapter addresses biophilia and its integration into architecture, highlighting the centrality of incorporating natural elements into the planning of collective spaces to promote well-being and breathe life into everyday environments. The third chapter presents empirical studies of parks in São Paulo to incorporate existing elements into the project, analyzing walking paths, the relationship between space and light, sensory effects, and the importance of biophilic planning in these spaces. The fourth chapter details the park proposal, emphasizing a space that transcends traditional functions, inviting active engagement and creativity while fostering more inclusive and participatory urban environments. Through this, the project reflects on the importance of designing places that promote well-being alongside spaces for active creation, providing a sensory, creative, and temporal reprieve from the accelerated pace of modern cities.
Modern architecture has historically focused on designing spaces to ensure efficiency and dynamism, addressing the chaotic disorder resulting from the accelerated urbanization of major production centers. The Swiss architect Le Corbusier, for instance, stands as a central figure in architecture for his contributions to urban spatial organization and his theories on the relationship between individuals and space through everyday experiences. In this context, functional and aesthetic cohesion is brought to life through the execution of projects based on principles such as those championed by Le Corbusier, which precisely conceptualize workers' homes in cities as "machines for living," for example. The first chapter explores Le Corbusier's Promenade Architecturale and Situationist theories, emphasizing the importance of recognizing the creative nature of the relationship between agents and environments and of designing adaptable spaces capable of evolving through everyday use. From an engaged reading of Le Corbusier's works, this Final Graduation Project aims to rethink the relationship between individuals and the environment in the everyday use of spaces, culminating in the creation of a multifaceted cultural park. This park focuses on the active use of its environments and the well-being of individuals, rooted in the relationship established between humans and the natural elements of the lived space. The formulation of this park proposes the creation of adaptable environments that encourage active use and the continuous reshaping of their structures by the individuals who create the space. Concurrently, it incorporates these environments into a heterogeneous ecosystem of natural agents. The project consists of four buildings dedicated to diverse cultural expressions and is structured around four chapters. The second chapter addresses biophilia and its integration into architecture, highlighting the centrality of incorporating natural elements into the planning of collective spaces to promote well-being and breathe life into everyday environments. The third chapter presents empirical studies of parks in São Paulo to incorporate existing elements into the project, analyzing walking paths, the relationship between space and light, sensory effects, and the importance of biophilic planning in these spaces. The fourth chapter details the park proposal, emphasizing a space that transcends traditional functions, inviting active engagement and creativity while fostering more inclusive and participatory urban environments. Through this, the project reflects on the importance of designing places that promote well-being alongside spaces for active creation, providing a sensory, creative, and temporal reprieve from the accelerated pace of modern cities.
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Palavras-chave
arquitetura , urbanização , espaço , criatividade , bem-estar , architecture , urbanization , space , creativity , well-being