Di Cavalcanti e os fantoches da modernidade: uma leitura semiótica

Página do item simplificado
dc.contributor.advisorRizolli, Marcospt_BR
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/4808339542698874por
dc.contributor.authorAlmeida, Sullivan Bernardo dept_BR
dc.creator.Latteshttp://lattes.cnpq.br/0608071372705899por
dc.date.accessioned2016-04-18T21:31:40Z
dc.date.accessioned2020-05-28T18:11:16Z
dc.date.available2010-03-13pt_BR
dc.date.available2020-05-28T18:11:16Z
dc.date.issued2008-01-28pt_BR
dc.description.abstractDi Cavalcanti was born in Rio de Janeiro when the city was undergoing trough a radical reubanization process leaded by the government, Rodrigues Alves, Brazil President, and managed by city mayor Pereira Passos. During his government, Passos chnged the provinvicial city aspect. He had built gorgeous squares, wide avenues, strongly impacting the way of life at the poor people, who used to live in the slum, pushing them to move to furlher neighborhood around the city. Based upon his personal view of such scenario, Di Cavalcanti created the Fantoches da Meia-noite series, breaking up with Art Nouveau style, followed by him until then. The work is made up of sixteen boards and a presentation folder by the writer Ribeiro Couto. The folder text regards to the impression that both kept on the cratures who in habited that neighborhood. The objective of this work is indentify the expressionist characteristics of the Fantoches da Meia-noite work, and verify a possible closeness with the chowings by the artist Egon Schiele. To accomplish so, we will atlain a formal analysis of Fantoches, following Donis A. Dondis methodology in his book Sintaxe da Linguagem Visual, and as theorical support, we will base on semiotical concepts theory.eng
dc.description.sponsorshipInstituto Presbiteriano Mackenziept_BR
dc.formatapplication/pdfpor
dc.identifier.citationALMEIDA, Sullivan Bernardo de. Di Cavalcanti e os fantoches da modernidade: uma leitura semiótica. 2008. 1 f. Dissertação (Mestrado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2008.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24923
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.subjectDi Cavalcantipor
dc.subjectexpressionismopor
dc.subjectanálise formalpor
dc.subjectanálise semióticapor
dc.subjectDi Cavalcantieng
dc.subjectexpressionismeng
dc.subjectformal analysiseng
dc.subjectsemiotics analysiseng
dc.subject.cnpqCNPQ::CIENCIAS HUMANASpor
dc.titleDi Cavalcanti e os fantoches da modernidade: uma leitura semióticapor
dc.typeDissertaçãopor
local.contributor.board1Schaun, Angelapt_BR
local.contributor.board1Latteshttp://lattes.cnpq.br/6512377872595791por
local.contributor.board2Guerra, Marco Antoniopt_BR
local.contributor.board2Latteshttp://lattes.cnpq.br/7673139702694152por
local.publisher.countryBRpor
local.publisher.departmentEducação, Arte e Históriapor
local.publisher.initialsUPMpor
local.publisher.programEducação, Arte e História da Culturapor
Arquivos
Pacote Original
Agora exibindo 1 - 1 de 1
Imagem de Miniatura
Nome:
Sullivan Bernardo de Almeida....pdf
Tamanho:
16.83 MB
Formato:
Adobe Portable Document Format
Descrição:
Sullivan Almeida
Baixar
Coleções
Educação, Arte e História da Cultura - Dissertação - CEFT Higienópolis