O desenho como forma de comunicação da arquitetura

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dc.contributor.advisorPerrone, Rafael Antonio Cunhapt_BR
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/3627961063335220por
dc.contributor.authorMartins, Cláudia Alonsopt_BR
dc.creator.Latteshttp://lattes.cnpq.br/4138393553720083por
dc.date.accessioned2016-03-15T19:22:05Z
dc.date.accessioned2020-05-28T18:16:14Z
dc.date.available2013-10-16pt_BR
dc.date.available2020-05-28T18:16:14Z
dc.date.issued2013-02-04pt_BR
dc.description.abstractArchitects draw to present their projects. To demonstrate, through experiments charts their projects, they run through several forms of representation derived from geometric systems and tooling. Their procedures resort to various tooling and supports, and produce different representations. The answers to the questions of how the architects present their projects are the guiding thread of this study. The goal is to achieve answers to the problems that permeate the communicated representation and elaborate through the design of architecture. Understand and learn the drawings used by architects as a means of reflection and communication. The ways in which the design operates architecture and urbanism are forms of reflection and thought. In the case of architecture are the means of object creation and communication that enable its implementation or construction. Other abstract records can also be used as schemas, tables, figures or diagrams that allow other procedural and communication strategies. When dealing with contemporary modes of presentation of projects and having as object significant projects of contemporary, were elected for this study three projects representing different periods, namely: the Parc de La Villette, Paris, France, Bernard Tschumi (1983), the McCormick Tribune Campus Center at the Illinois Institute of Technology in Chicago, USA, OMA / Rem Koolhaas (2003) and the 8House in Ørestad, Denmark, the BIG Bjarke Ingles Group (2010). Through close reading of these projects in parallel with the speech intended to representations of the same by their authors, and by understanding and using graphics engines for interpretation, this work studied how they were intended to present their proposals and procedures of design that were used for this purpose . The drawings were analyzed seeking to deepen all the elements and processes involved in the determination and communication of data represented.eng
dc.formatapplication/pdfpor
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/25939
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.subjectdesenhopor
dc.subjectrepresentação graficapor
dc.subjectprojetopor
dc.subjectdrawingeng
dc.subjectgrafic representationeng
dc.subjectdesigneng
dc.subject.cnpqCNPQ::CIENCIAS SOCIAIS APLICADAS::ARQUITETURA E URBANISMOpor
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/2499/Claudia%20Alonso%20Martins.pdf.jpg*
dc.titleO desenho como forma de comunicação da arquiteturapor
dc.typeDissertaçãopor
local.contributor.board1Alonso, Carlos Egídiopt_BR
local.contributor.board1Latteshttp://lattes.cnpq.br/1085450873991000por
local.contributor.board2Amorim, Anália Maria Marinho de Carvalhopt_BR
local.contributor.board2LattesÚltima atualização do currículo em 31/05/2010por
local.publisher.countryBRpor
local.publisher.departmentArquitetura e Urbanismopor
local.publisher.initialsUPMpor
local.publisher.programArquitetura e Urbanismopor
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Arquitetura e Urbanismo - Dissertação – FAU Higienópolis