Representações artísticas com os moradores de rua por meio da luz e do movimento
Tipo
Tese
Data
2014-02-05
Autores
Hovnanian, Marco Antonio Dresler
Orientador
Alonso, Carlos Egídio
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Lima, Ana Gabriela Godinho
Alvim, Angélica Aparecida Tanus Benatti
Santos, Maria Cecilia Loschiavo dos
Alvim, Angélica Aparecida Tanus Benatti
Santos, Maria Cecilia Loschiavo dos
Programa
Arquitetura e Urbanismo
Resumo
The objective of this work is the construction of an artistic view on rythms
and way of living of the homeless population. In academic point of view,
the conception of valid performance from Cloke works as an important
element of the textual argumentation here represented on the sense that the
homeless stage actions as sleep, eat and share similarly as the population that
has fixed residence. However, as the first group is seen as declassed and excluded,
the second is as central and included, perceptions discussed on this
thesis. This thesis discusses the connotation of stranger, generally assigned to
the homeless population throw the sociological discussion bias, based mainly
on Zygmunt Bauman and Michel Foucault thoughts about the stranger
and the ways of lead and control of this population. The artistic view is at
the systematic work of construction of light, time and of the photographic
register in sequence using the stop motion technique. The nightly light of
the exposures as light that not exist, or, in other words, is built from the fleeting
and irregular of cars headlights that were going by. The light of each car
headlight is different, the angle which it focus too. The camera setup needs
constantly to be readjusted. In this process the time assumes a protagonist
role. An important aspect as the way this thesis was conducted focus on the
shared experiences conducted as essential manner of the research, both in
the speculative role as in the moments it was employed systematically. The
rapprochement and the entrance on the habitual of those persons are one
of the results of this manner of living, the settlement of empathy, of dynamics
compatibility of experiences sometimes based on language, sometimes
without it, only by the gestural or the emotional observant presence and
intellectually relaxed. The domain of the technique guided some intuitive
steps, but conducted, at the end, the construction of this language.
Descrição
Palavras-chave
moradores de rua , fotografia , luz , representações artísticas , homeless , stop motion , stranger , photograph
Citação
HOVNANIAN, Marco Antonio Dresler. Representações artísticas com os moradores de rua por
meio da luz e do movimento. 2014. 216 f. Tese (Doutorado em Arquitetura e Urbanismo) - Universidade Presbiteriana Mackenzie, São Paulo, 2014.