Vampiros na literatura: limites do gênero fantasia na série Twilight
Tipo
Dissertação
Data de publicação
2010-06-02
Periódico
Citações (Scopus)
Autores
Arantes, Judith Tonioli
Orientador
Trevisan, Ana Lúcia
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Bridi, Marlise Vaz
Volobuef, Karin
Volobuef, Karin
Programa
Letras
Resumo
Being part of the human imaginary, the vampires found their way into literature in the end of the eighteenth century, and remained there throughout the nineteenth century, being the
climax of the narratives they were present known as Dracula, written by Bram Stoker. Over the twentieth century, the vampires experienced moments of fame in literature, through works such as Anne Rice s The vampire Chronicles; in the movies, through makings and remakings of Bram Stoker s Dracula and other vampires from TV series, such as Blade , and the movie made based on Anne Rice s Interview with the vampire. In the beginning of the twenty-first century, a North American author wrote a series of four books, the Twilight series, which constitute a dialogue with the literary myth crystallized by Bram Stoker s Dracula. Such dialogue, though considered to be intentionally denying the previous literary myth, confirms it in a number of ways. In order to study the presence of the literary myth in Stephenie Meyer s works, it is first necessary to study the possible origins of the myth in the human imaginary, moving, then, to a study of the types of narratives in which the vampires are present in literature, such as the fantastic, a mode found in fantasy, a literary gender. Once the possible origins and types of narrative are studied, it is possible to analyze the vampire myth renewed
presented by Stephenie Meyer and the relation between her work, the Twilight series, and the fairy stories.
Descrição
Palavras-chave
literatura , fantasia , vampiro , mito , fantástico , maravilhoso , literature , fantasy , vampire , myth , fantastic , marvellous