The multiple faces of dialogue in a certain captain Rodrigo, by Erico Verissimo

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dc.contributor.authorNovroth A.L.M.
dc.date.accessioned2024-03-12T23:49:45Z
dc.date.available2024-03-12T23:49:45Z
dc.date.issued2020
dc.description.abstract© Pontificia Universidade Catolica de Sao Paulo.This essay aims to ascertain how dialogism manifests in a literary work. For that purpose, we will focus specifically on some excerpts taken from the chapter A Certain Captain Rodrigo of the novel Time and the Wind, by Erico Verissimo. We intend to examine, in the materiality of the text, which utterative-discursive procedures were used in the dialogical staging of truth and thought present in the Menippean satire and how the authoritarian discourse is desecrated and subjected to laughter by the categories of the carnivalesque worldview.
dc.description.firstpage129
dc.description.issuenumber3
dc.description.lastpage157
dc.description.volume15
dc.identifier.doi10.1590/2176-457344259
dc.identifier.issn2176-4573
dc.identifier.urihttps://dspace.mackenzie.br/handle/10899/35081
dc.relation.ispartofBakhtiniana
dc.rightsAcesso Aberto
dc.subject.otherlanguageA certain captain rodrigo
dc.subject.otherlanguageCarnivalesque worldview
dc.subject.otherlanguageDialogism
dc.titleThe multiple faces of dialogue in a certain captain Rodrigo, by Erico Verissimo
dc.typeArtigo
local.scopus.citations0
local.scopus.eid2-s2.0-85092022498
local.scopus.updated2024-05-01
local.scopus.urlhttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85092022498&origin=inward
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