American utopia - Terror and love in the modernist aesthetics of Graça Aranha and José Vasconcelos Utopias americanas - Terror y amor en la estética modernista de Graça Aranha y José Vasconcelos

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dc.contributor.authorHooper S.S.
dc.contributor.authorRocha G.
dc.date.accessioned2024-03-13T00:51:21Z
dc.date.available2024-03-13T00:51:21Z
dc.date.issued2017
dc.description.abstractThe paper analyzes the meaning of terror and love, tragic feelings, on the utopian Latin American imaginary from the novel Canaan (1902), by Graça Aranha, and Cosmic Raza (1925), by the Mexican José Vasconcelos, focusing on conflicts between race and the environment, expressed therein. On the one hand, dominates the Graça Aranha's view, for whom the submission of man to nature means the cosmic terror; on the other hand, Vasconcelos's vision, who finds in love a strategy for promoting the new American man. Although, they are distinct, we observe, in these works, some points of convergence and other points of tension around the evaluation of concepts race and nature. Moreover, these views are surrounded by a Christian worldview.
dc.description.firstpage41
dc.description.issuenumber1
dc.description.lastpage53
dc.description.volume39
dc.identifier.doi10.4025/actascilangcult.v39i1.29903
dc.identifier.issn1983-4683
dc.identifier.urihttps://dspace.mackenzie.br/handle/10899/35870
dc.relation.ispartofActa Scientiarum Language and Culture
dc.rightsAcesso Restrito
dc.subject.otherlanguageLove
dc.subject.otherlanguageModernist aesthetics
dc.subject.otherlanguageReligious worldview
dc.subject.otherlanguageTerror
dc.subject.otherlanguageUtopia
dc.titleAmerican utopia - Terror and love in the modernist aesthetics of Graça Aranha and José Vasconcelos Utopias americanas - Terror y amor en la estética modernista de Graça Aranha y José Vasconcelos
dc.typeArtigo
local.scopus.citations0
local.scopus.eid2-s2.0-85018510734
local.scopus.updated2024-05-01
local.scopus.urlhttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=85018510734&origin=inward
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