Between the face and the mask: Identities and truths in tension Entre o rosto e a máscara: Identidades e verdades em tensão

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dc.contributor.authorLopondo L.
dc.contributor.authorAlvarez A.G.R.
dc.date.accessioned2024-03-13T01:04:18Z
dc.date.available2024-03-13T01:04:18Z
dc.date.issued2013
dc.description.abstractThis paper shows analyzes of the play The Phantom of the Opera. It aims at examining the problem of the double. There will be examined the role of the masks and the mirrors in the constitution of the identity of the main characters and the dialogue with Leroux's novel. Its theoretical basis are Bakhtin's considerations about the interaction between the I and the Other in the construction of selfconsciousness and about the dialogic nature of truth.
dc.description.firstpage211
dc.description.issuenumber3
dc.description.lastpage219
dc.description.volume35
dc.identifier.doi10.4025/actascilangcult.v35i3.16212
dc.identifier.issn1983-4675
dc.identifier.urihttps://dspace.mackenzie.br/handle/10899/36595
dc.relation.ispartofActa Scientiarum Language and Culture
dc.rightsAcesso Aberto
dc.subject.otherlanguageDouble
dc.subject.otherlanguageIdentity
dc.subject.otherlanguageMask
dc.subject.otherlanguageSelfconsciousness
dc.titleBetween the face and the mask: Identities and truths in tension Entre o rosto e a máscara: Identidades e verdades em tensão
dc.typeArtigo
local.scopus.citations0
local.scopus.eid2-s2.0-84883586936
local.scopus.updated2024-05-01
local.scopus.urlhttps://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=84883586936&origin=inward
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