Hibridismo musical e religiosidade popular: DJ tudo e sua gente de todo lugar

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dc.contributor.advisorGutiérrez, Jorge Luis Rodriguez
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/8105914938404468por
dc.contributor.authorSilva, Anatote Lopes da
dc.creator.Latteshttp://lattes.cnpq.br/3970712784958095por
dc.date.accessioned2019-12-18T18:44:21Z
dc.date.accessioned2020-05-28T18:14:48Z
dc.date.available2020-05-28T18:14:48Z
dc.date.issued2018-08-21
dc.description.abstractThe Brazilian context is characterized by an ethnic diversity that contributes to racial, ideological, religious and sociocultural pluralism and in this plural and secular environment the diversity of the new and the modern, and the old and the traditional, live together. This research investigates an experience of religious renewal in the umbandist religion. The result of the synthesis of the old and the new, the reinsertion of postmodern artistic production in the brazilian cultural environment, specifically in the religion of African matrix, where popular traditions and the sophistication of the old religious traditions are recorded. The author discusses the fundamental link in the structure of the myths of the religions that make up the inner diversity of the Umbanda, general aspects of the history of ethnic identity, formation and the African pantheon and its influences in the Brazilian religious field. And, finally, the development and observed contribution of the object of the case study confirms the use of new modern technologies and new media, contributing to the preservation of the Afro-Brazilian musical tradition.eng
dc.formatapplication/pdf*
dc.identifier.citationSILVA, Anatote Lopes da. Hibridismo musical e religiosidade popular: DJ tudo e sua gente de todo lugar. 2018. 283 f. Dissertação (Ciências da Religião) - Universidade Presbiteriana Mackenzie, São Paulo, 2018.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/25784
dc.keywordsmytheng
dc.keywordsancestryeng
dc.keywordssyncretismeng
dc.keywordsreligiosityeng
dc.keywordspopulareng
dc.keywordshybrideng
dc.keywordsethniceng
dc.keywordsmusiceng
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectmitopor
dc.subjectancestralidadepor
dc.subjectsincretismopor
dc.subjectreligiosidadepor
dc.subjectpopularpor
dc.subjecthíbridapor
dc.subjectétnicapor
dc.subjectmúsicapor
dc.subject.cnpqCNPQ::CIENCIAS HUMANASpor
dc.titleHibridismo musical e religiosidade popular: DJ tudo e sua gente de todo lugarpor
dc.typeDissertaçãopor
local.contributor.board1Bitun, Ricardo
local.contributor.board1Latteshttp://lattes.cnpq.br/3152919547730130por
local.contributor.board2Pereira, João Baptista Borges
local.contributor.board2Latteshttp://lattes.cnpq.br/7998288335836364por
local.publisher.countryBrasilpor
local.publisher.departmentCentro de Educação, Filosofia e Teologia (CEFT)por
local.publisher.initialsUPMpor
local.publisher.programCiências da Religiãopor
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