A canção de protesto e o rock protesto: diálogos da democracia brasileira
Tipo
Tese
Data de publicação
2015-02-19
Periódico
Citações (Scopus)
Autores
Sorroce, Danilo Sérgio
Orientador
Bridi, Marlise Vaz
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Guimarães, Alexandre Huady Torres
Bastos, Neusa Maria Oliveira Barbosa
Lourenço, José Roberto
Bedin, Olivo
Bastos, Neusa Maria Oliveira Barbosa
Lourenço, José Roberto
Bedin, Olivo
Programa
Letras
Resumo
During this study we focused our research on dialogues between the Protest Song of 1960s and 1970s, especially those occurred in certain works created by Gilberto Gil, Caetano Veloso and Chico Buarque de Holanda and a few songs produced by politicized and protest rock launched by bands from Brasilia such as Capital Inicial, Plebe Rude and Legião Urbana in the 1980s, contextualizing this cultural production within an important period in the recent history of Brazil. Through the theory developed by Bakhtin, we were confronted with dialogues between speakers and speeches, which allowed us to produce analysis of the characteristics and content of the dialogues between the "Old" Protest and the "New" Protest. The investigation allowed us to point out some similarities between the songs analyzed, and also enabled us to interpret them as articulating elements of the period in which they arose, which is evident in the performance of songs from both periods as a political tool of contestation.
Descrição
Palavras-chave
literatura , sociedade , canção de protesto , rock dos anos 80 , literature , society , protest song
Assuntos Scopus
Citação
SORROCE, Danilo Sérgio. A canção de protesto e o rock protesto: diálogos da democracia brasileira. 2015. 147 f. Tese (Doutorado em Letras) - Universidade Presbiteriana Mackenzie, São Paulo, 2015.