Inquietações do existente: cinema como filosofia em Lars von Trier
Tipo
Tese
Data de publicação
2018-03-09
Periódico
Citações (Scopus)
Autores
Lima, Fransmar Barreira Costa
Orientador
Araujo, Paulo Roberto Monteiro de
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Bueno, Marcelo Martins
Ramos, Rosangela Patriota
Zega, Fulvia
Almeida, Jorge Miranda de
Ramos, Rosangela Patriota
Zega, Fulvia
Almeida, Jorge Miranda de
Programa
Educação, Arte e História da Cultura
Resumo
This essay intends a study of the Danish film-maker's work, Lars von Trier, as a grounding for the "cinema-thougt" that, when incorporated by a reader who assumes the reflexion in the existence, develops significant reviews. We call this reader "inspectador", because he is the initiative of incorporating the "restlessness" of the director and of assuming movie's situations in his subjectivity. The first part of the research analyzes the cinema as philosophy form Lars von Trier ideas, where the "inspectador"'s role is defined, the methodology of indirect communication and the cinema as possibility. This part also discuss the grounding and references that founds the problematic in Lar von Trier's work and how his movies stand out as "cinema-thougt. The second part analyzes the Cinema as philosophy from the "restnessless" of the existent, that is, visits Lars von Trier's production in order to reflect questions that arise in especific moments of his movie: as the Dogma 95 (Idioterne - #2, 1998), and the movies that precinds the correct formulation of the scenario, substituited by a "plan-map", as Dogviller (2003) e Manderlay (2005).
Descrição
Palavras-chave
existência , inspectador , cinema-pensamento , Lars von Trier , Kierkegaard
Assuntos Scopus
Citação
LIMA, Fransmar Barreira Costa. Inquietações do existente: cinema como filosofia em Lars von Trier. 2018. 166 f. Tese (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.