A práxis fotográfica analógica e digital: um estudo experimental

Abstract

This work deals with issues surrounding the photographic practice within the interference by photographers in the processing of the images, and these, pre or post- photographic. Through artistic production of Man Ray (Emmanuel Rudnitzky) and relations stemming from the erudite and mass culture was the production of photographs involving the treatment and processing of the images on a trial, where the considerations are made from images produced and amended digitally. The work aims to explore the formal characteristics of the possibilities involved in the plastic processing of the images, where issues surrounding the erudite culture and mass production were included in the language, allowing questions about the practice in a contextualized artistic experimental bias.