Ruído – linguagem - interdisciplinaridade: a anatomia do ruído na arte contemporânea
Arquivos
Tipo
Tese
Data de publicação
2016-02-22
Periódico
Citações (Scopus)
Autores
Mori-Leite, Thiago
Orientador
Rizolli, Marcos
Título da Revista
ISSN da Revista
Título de Volume
Membros da banca
Davino, Gláucia Eneida
Mello, Regina Lara Silveira
Oliveira, Pelópidas Cypriano de
Held, Maria Sílvia Barros de
Mello, Regina Lara Silveira
Oliveira, Pelópidas Cypriano de
Held, Maria Sílvia Barros de
Programa
Educação, Arte e História da Cultura
Resumo
The development of pictorial art in the early twentieth century is dynamic until his
break with the Dadaist Marcel Duchamp urinal. throughthe audiovisual language its
had continuation in a new hybrid language, wich it will be deified by Futurism Italian
artists who will recognize in the new language a mimesis of his new world. The
futurist Luigi Russolo is regarded as an artist pioneer in research, trials and uses
noise as a major element in his artistic praxis that transcends the avant-garde
movement of Italian Futurism and presents resignified throughout the different art
forms of the twentieth century. Before Russolo write The Art of Noisesin 1913, noise
as element was already present in some way in the arts pictorial post Impressionists
of the late nineteenth century and the beginning of the modernist avant-garde, such
as the Cubist collages of George Braque and clearly in the draft redefinition of
appreciation, enjoyment and production of art designed by Marcel Duchamp. Both
conceptually and formally the importance of using the noise can be synthesized in
the proposals of the Italian Futurists, adopting noise like a strong aesthetic element
that can be found throughout interdisciplinarity that provides it. However, in Luigi
Russolo noise is studied and used beyond the aesthetic or semiotic fields, noise
becomes a vital practice of the artist, increasingly used and is embodied in the
research and work of iconic artists such as the south korean Nam June Paik, pioneer
of videoart and the new yorker band Sonic Youth, that among all recording and video
production controlled by the cultural industry of the 90's, stands out for using the
noise in a intersemiotic way, exploring the relationship between the audio and visual
languages, seeking to create a common thread, a structure that aligns the different
artistic productions that allied art to technology in early last century.
Descrição
Palavras-chave
ruído , linguagem , interdisciplinaridade
Assuntos Scopus
Citação
MORI-LEITE, Thiago. Ruído – linguagem - interdisciplinaridade: a anatomia do ruído na arte contemporânea. 2016. 190 f. Tese (Educação, Arte e História da Cultura) - Universidade Presbiteriana Mackenzie, São Paulo.