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dc.creatorD'ambrosio, Oscar Alejandro Fabianpt_BR
dc.date.accessioned2016-03-15T19:44:09Z
dc.date.accessioned2020-05-28T18:09:45Z
dc.date.available2013-12-20pt_BR
dc.date.available2020-05-28T18:09:45Z
dc.date.issued2013-02-21pt_BR
dc.identifier.citationD'AMBROSIO, Oscar Alejandro Fabian. Um mergulho no Brasil Naif: a Bienal Naifs do Brasil do SESC Piracicaba: 1992 a 2010. 2013. 204 f. Tese (Doutorado em Educação, Arte e História) - Universidade Presbiteriana Mackenzie, São Paulo, 2013.por
dc.identifier.urihttp://dspace.mackenzie.br/handle/10899/24583
dc.description.abstractThis study investigates what Naïf Art is, which are its variations and main artists. The most important question is the definition of the object of the study. This research offers a view of some international and Brazilians art critics that studied the subject. Some of the articles about the subject are not academic papers but art catalogues focused in selling art works or catalogues from private museums or collections. All these information is joined to establish quotations and qualified reflections about visual works that are categorizes as Naïf Art. The most important event in this art area the Bienal Naifs do Brasil, that takes place in Piracicaba, in São Paulo State, Brazil, since 1992. This study offers an analysis of art researchers, jury members and art curators that have taken part in the last ten editions of the event (1992-2010). The idea is to seek and discuss this kind of information to understand what Naïf Art is. The idea also This study investigates what Naïf Art is, which are its variations and main artists. The most important question is the definition of the object of the study. This research offers a view of some international and Brazilians art critics that studied the subject. Some of the articles about the subject are not academic papers but art catalogues focused in selling art works or catalogues from private museums or collections. All these information is joined to establish quotations and qualified reflections about visual works that are categorizes as Naïf Art. The most important event in this art area the Bienal Naïfs do Brasil, that takes place in Piracicaba, in São Paulo State, Brazil, since 1992. This study offers an analysis of art researchers, jury members and art curators that have taken part in the last ten editions of the event (1992-2010). The idea is to seek and discuss this kind of information to understand what Naïf Art is. The idea also is to analyze art works that are called Naïf. The study also offers comments about the main artists that have taken part in the Piracicaba Bienal editions since 1992.eng
dc.formatapplication/pdfpor
dc.languageporpor
dc.publisherUniversidade Presbiteriana Mackenziepor
dc.rightsAcesso Abertopor
dc.subjectarte naifpor
dc.subjectbienal naifs do Brasilpor
dc.subjectarte popularpor
dc.subjectarte contemporâneapor
dc.subjectcuradoriapor
dc.subjectartes plásticaspor
dc.subjectnaïf arteng
dc.subjectBrazilian naïfseng
dc.subjectpopular cultureeng
dc.subjectBrazilian Arteng
dc.subjectcuratoreng
dc.subjectvisual artseng
dc.titleUm mergulho no Brasil Naif: a Bienal Naifs do Brasil do SESC Piracicaba: 1992 a 2010por
dc.typeTesepor
dc.publisher.departmentEducação, Arte e Históriapor
dc.publisher.programEducação, Arte e História da Culturapor
dc.publisher.initialsUPMpor
dc.publisher.countryBRpor
dc.subject.cnpqCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESpor
dc.description.resumoA presente pesquisa consiste na discussão sobre o que é Arte Naif, quais são as suas variações e principais artistas. O problema maior é a própria definição do objeto de estudo. Para isso, temos como base os textos dos poucos autores nacionais e estrangeiros que se debruçaram sobre o tema. Alguns deles, inclusive, não são trabalhos acadêmicos, mas catálogos de luxo voltados para a venda de obras ou a divulgação de museus ou coleções particulares. Busca-se estabelecer parâmetros para o debate das manifestações plásticas que são chamadas pela crítica especializada como Arte Naif. O maior evento desse gênero de pintura no Brasil, a Bienal Naifs do Brasil, é realizado em Piracicaba, SP, e teve a sua décima edição em 2010. A pesquisa realiza uma análise dos textos de curadores, curadores-adjuntos e integrantes dos júris de seleção das dez edições do evento (1992-2010) e suas referências para instituir uma discussão sobre o conceito de Arte Naif. Esse diálogo inclui a discussão plástica de obras categorizadas no gênero. Traz ainda comentários sobre os principais artistas que expuseram nas diversas edições da Bienal.por
dc.creator.Latteshttp://lattes.cnpq.br/0717605557593758por
dc.contributor.advisor1Stori, Norbertopt_BR
dc.contributor.advisor1Latteshttp://lattes.cnpq.br/9008340653385020por
dc.contributor.referee1Rizolli, Marcospt_BR
dc.contributor.referee1Latteshttp://lattes.cnpq.br/4808339542698874por
dc.contributor.referee2Martins, Mirian Celeste Ferreira Diaspt_BR
dc.contributor.referee2Latteshttp://lattes.cnpq.br/7167254305943668por
dc.contributor.referee3Nascimento, José Leonardo dopt_BR
dc.contributor.referee3Latteshttp://lattes.cnpq.br/6533679344753214por
dc.contributor.referee4Moreira Filho, Alcindopt_BR
dc.contributor.referee4Latteshttp://lattes.cnpq.br/1281908667977614por
dc.thumbnail.urlhttp://tede.mackenzie.br/jspui/retrieve/3442/Oscar%20Alejandro%20Fabian%20DAmbrosio.pdf.jpg*
dc.bitstream.urlhttp://tede.mackenzie.br/jspui/bitstream/tede/2068/1/Oscar%20Alejandro%20Fabian%20DAmbrosio.pdf


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