Representações artísticas com os moradores de rua por meio da luz e do movimento

Abstract

The objective of this work is the construction of an artistic view on rythms and way of living of the homeless population. In academic point of view, the conception of valid performance from Cloke works as an important element of the textual argumentation here represented on the sense that the homeless stage actions as sleep, eat and share similarly as the population that has fixed residence. However, as the first group is seen as declassed and excluded, the second is as central and included, perceptions discussed on this thesis. This thesis discusses the connotation of stranger, generally assigned to the homeless population throw the sociological discussion bias, based mainly on Zygmunt Bauman and Michel Foucault thoughts about the stranger and the ways of lead and control of this population. The artistic view is at the systematic work of construction of light, time and of the photographic register in sequence using the stop motion technique. The nightly light of the exposures as light that not exist, or, in other words, is built from the fleeting and irregular of cars headlights that were going by. The light of each car headlight is different, the angle which it focus too. The camera setup needs constantly to be readjusted. In this process the time assumes a protagonist role. An important aspect as the way this thesis was conducted focus on the shared experiences conducted as essential manner of the research, both in the speculative role as in the moments it was employed systematically. The rapprochement and the entrance on the habitual of those persons are one of the results of this manner of living, the settlement of empathy, of dynamics compatibility of experiences sometimes based on language, sometimes without it, only by the gestural or the emotional observant presence and intellectually relaxed. The domain of the technique guided some intuitive steps, but conducted, at the end, the construction of this language.